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Publisher's Summary

A magnum opus for our morally complex times from the author of Freedom.
Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.
Enter the Germans. A glancing encounter with a German peace activist leads Pip to an internship in South America with The Sunlight Project, an organization that traffics in all the secrets of the world - including, Pip hopes, the secret of her origins. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the chaos following the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is drawn to Pip for reasons she doesn't understand, and the intensity of her response to him upends her conventional ideas of right and wrong.
Purity is a grand story of youthful idealism, extreme fidelity, and murder. The author of The Corrections and Freedom has imagined a world of vividly original characters - Californians and East Germans, good parents and bad parents, journalists and leakers - and he follows their intertwining paths through landscapes as contemporary as the omnipresent Internet and as ancient as the war between the sexes. Purity is the most daring and penetrating book yet by one of the major writers of our time.
This audiobook includes a bonus conversation with the author.
©2015 Jonathan Franzen (P)2015 Macmillan Audio
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Critic Reviews

"In short, the book is a dream for any narrator who is itching to demonstrate his or her acting range, as Jenna Lamia, Dylan Baker, and Robert Petkoff handily do. Their performances are uniformly engaging and engrossing; together, they make the listening time fly by. Anyone weighing the potential return on investment of reading all 587 pages can safely turn the heavy lifting over to them." ( AudioFile)
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Customer Reviews

Most Helpful

By Clodhopper on 12-02-15

Art that entertains but but does not edify

Clever but not profound. Prurient but not sensual. Sex without love. Love Without sex. Mothers without daughters; daughters without fathers. Obsession without inspiration. Questions with no answers. Answers without epiphanies. Facts devoid of truth. In sum: art that entertains but does not edify.

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5 of 5 people found this review helpful

By ScatterShark on 10-03-15

Glad I listened; equally glad it's over.

Purity is no Corrections. I loved The Corrections and will go back to it again and again. I loved the wit, the neurotic, yet self-aware characters. This novel is different. Far more complex, and an amazing intellectual achievement. I am glad I engaged with the book for this reason. But it is dark, and despite Franzen's assertion that it is a comic novel, it is nearly devoid of wit. It is totally charmless, and I grew increasingly depressed during the time I was listening. The characters are nearly all sick unhappy people who had terrible mothers and absent fathers (therefore, they cannot be whole). Further, he just gets women wrong. It's been said repeatedly about Franzen, and it's true. It is astonishingly arrogant for a male author to embody the mind of a young woman to this degree with such male gusto. It is utterly unimaginative that his conclusion is that woman want to give themselves sexually, always, to the most powerful man in the room. We just don't. In Franzen's world view, women are total victims of their hormones: our drive to reproduce and to do it with the most powerful man we can get. Men are victims too, but they are able, unlike women, to embrace reason and intellect.

But: Franzen. We have to get used to this side of his character if we want to experience his otherwise brilliant storytelling. He deeply dislikes women despite his constant protestations to the contrary. He does not understand women. He doesn't. He thinks he does and he thinks so with such imperious delusion that many people believe him. He is a victim, no doubt, of his own weird relationship with his mother and doesn't seem to grasp that it was a highly personal, idiosyncratic experience exclusive to him. It was not universal. Even his one glorious female character, 55-year-old career woman Leila, only pines for the child she never had, and is jealous of women who come into her partner Tom's life. Women are thus reduced by Franzen to non-intellectual sacks of hormones who cannot choose to not breed or hump the most powerful man in the room. That said, he does not like men either, but prefers them to women. Men can be reasonable despite the fact that they are also, all of them, driven to hump the most comely woman in the room. They can be reasonable despite the fact that they are all predators, it seems.

And yet: Franzen. We can't expect otherwise. It's like going to see a Tarantino movie and being shocked by self-satisfied dialog and grotesque violence.

This story, while complex and satisfying, suffers from melodrama. One of its set pieces is the alpha male Andres Wolf coming to grips with a murder. It is set up as a justifiable murder and he is set up as the sort of man who could intellectualize it out of his conscience, and yet there is a rippling overreaction to it that is entirely overwrought and ultimately unbelievable. Since this overreaction provides the ultimate denouement of the entire novel, the reader is left unsatisfied after having had such a massive slog through pathos.

In short, there is so much to respect, and much to be grateful isn't real.

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15 of 17 people found this review helpful

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