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Would you listen to Pulp and Paper again? Why?
Definitely. There are beautiful stories here, which is what kept me engrossed the first time through. But there were also so many great descriptions and turns of phrase and witty lines of dialogue that I didn't get to fully appreciate on the first round because I was focusing on the plot. I'd listen again so that I could have another chance to absorb those things. And these are also the kinds of stories that even though you've already heard them and know how they're going to end, you want to hear them again so you can hear your favorite parts repeated.
Who was your favorite character and why?
Avery in Pulp and Paper. His shifts between depression, hope, and heroism as the story progresses make him compelling; Rolnick makes it clear that Avery is no high-minded savior, that he'd rather just leave crazy Mrs. Denny to the flames, and yet he doesn't. He shows both manipulation and tenderness as he tries to get her to leave the fire, and that tenderness ends up being his death sentence.
Which character – as performed by Robert Fass – was your favorite?
Tweedy from Inkeeping. Fass does a great job of voicing Tweedy in a way that reflects the narrator's opinion of him--sometimes he seems warm, sometimes pompous, just as the boy imagines him. And I like that slightly gravely quality to the voice.
Any additional comments?
A great collection of stories. It's tied together by a nuanced understanding of how bittersweet love (or in a broader sense desire) can be, and of course by the New York/New Jersey setting. But at the same time the stories cover a broad range of characters and situations, and as I listened I never knew what the next story would bring. The writing is never glib or jaded--the emotion here is honest and bare-faced, without ever crossing over into the maudlin, something that's hard to find in fiction these days.
8 of 8 people found this review helpful
Mr. Rolnick is a great storyteller. Some of the stories in Pulp and Paper explore difficult situations, deaths and an unplanned pregnancy for example, and unveil them in compelling plots with interesting, authentic characters. But the story I loved most was lighter—the fourth story, Mainlanders. I haven’t been pulled back to my adolescence like that in decades—feeling the excitement and nervousness at sighting a girl I hoped to meet, the ridiculous lengths I would go through to induce contact, and the horror when contact was made—the perfunctory hellos were over—and it was time to actually say something meaningful. This was a story that I knew well and loved hearing told through Mr. Rolnick’s voice. He nailed it. I really enjoyed each of the eight short stories in his collection.
I’m assuming that if you are reading this that you are not new to audio books so you know that the quality of the narration can vary. In this case, the voicing is very nice—the narration gives voice to Rolnick’s work such that it conveys the emotion, setting, ideas, and dialogue without adding the distraction of an external voice that takes you away from the story.
I have not purchased a collection of narrated short stories before but thought it might be nice to be able to listen to complete stories in single or double sessions. This proved to be a really nice feature—as I was able to select the story based on the amount of time I had available. When I was in the car for a moderate drive I was able to select a story that I could complete on the round trip—very nice indeed. I am inclined to purchase more short story collections based on this experience. And I will look forward to additional works from Mr. Rolnick to read and listen to in the future.
5 of 5 people found this review helpful