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the episodic structure made me think of Kosinski and there is something a little Hemingway-ish about it. It is a quick listen, a tapestry type effect that builds together and not everything is explained away. life is messy and some people get a little lost and the main woman, Mariah, has lost her footing. there are a lot of bits that you have to add up for yourself and the whole mosaic is puzzling, a little of the nature vs. nurture thing maybe, and the user atmosphere of relationships, and the disconnected bonds of relationships. interesting.
5 of 5 people found this review helpful
"I was raised to believe that what came in on the next roll would always be better than what when out on the last. I no longer believe that."
- Joan Didion, Play It As It Lays
Warning: This book is not to be read if suicidal, heavily medicated, driving, pregnant, or if you ever dream of walking out, alone, into the Nevada desert and not coming back. This book is pure existential peril. I remember when I was four being specifically afraid of our church's bathroom. I remember thinking the church was hallowed ground. Protected by some benign force. Nothing could get me in the church. I was safe. But I'd sit alone, in a stall, in the bathroom, and look at the white tile, white grout, and see the dark drain on the floor. I'd imagine all the terror that existed under the Church. The snakes that were waiting to crawl through the drain. The devil waiting to pull me into the unsanctified, unhallowed, shit-filled sewers. Yeah, this book made me think of that empty feeling, that feeling that even in safe places there were gaps, snakes, sewers, and darkness.
This book also reminds me a bit of a combination of The Great Gatsby (but told by Daisy in California in the 1960s) and Less Than Zero (but told by Blair and Julian's parents). Actually, hell, the book could be F. Scott and Zelda in the 1960s. Anyway, I get a weird F. Scott and Bret Easton Ellis vibe, with perhaps just a little of Cormac McCarthy's cold Western, existential dread thrown in for flavor. It is one of those novels that is near perfect and also a razor blade under your tongue. It is dangerous and sharp and makes you nervous to find out what is next.
There are snakes and cracks everywhere. Plants die. Memory fades. Nothing matters. Well, O.K. Joan Didion's prose matters. It matters a hell of a lot. Joan Didion's prose just might be one reason to keep living. To keep fighting. To keep turning the damn page and rolling the damn dice.
21 of 24 people found this review helpful