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Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.
The novel opens with Orlando as a young nobleman in Elizabethan England who finds love with a Russian princess. During Charles II's reign, he is an ambassador to Constantinople and becomes a Duke. Orlando then goes on to wake as a beautiful woman, exploring the roles of women in the 18th and 19th centuries. Eventually becoming a wife and mother the tale ends in the year 1928, a year consonant with full suffrage for women. Upon plans to publish her 1588 poem 'The Oak Tree' written in the opening of the novel, she reflects on her centuries of adventure.
An exploration of androgyny and the creative life of a woman, it is considered a feminist work. Arguably one of Woolf's most popular stories, it marked a turning point in her career, departing from her more introspective works. Receiving both critical and financial success it guaranteed Woolf's financial stability.
There have been many adaptations made, including a film released in 1992, starring Tilda Swinton and an opera by composer Peter Aderhold which premiered at the Braunschweig State Theatre in in 2016.
"Clare Higgins's supple, silky voice does justice to Woolf's literary landmark. The language of Orlando, peppered with alliterative phrases, flows effortlessly with perfect pacing by Higgins, and Woolf's dry wit shines through her performance." (AudioFile)
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wonderful language, unusual style
Perhaps. It's something that few people would seek out on their own.
Somewhat less grim than her polemics, a witty fantasy.
Superb reading, showing fluency and thorough familiarity with the material and idiom. It made me able to pretend I was hearing the voice and thoughts of the author, as she projected them into her protagonist.
Migrations of a soul
Vivid descriptions of wonderful natural and social environments; no direct dialog or conversations; some devastating skewering of the follies of manners and institutions, as in essays; rambling plot and erratic pace, with many digressions and ellipses; humorous turns of phrase; interesting characters.
Not nearly enough pause breaks for skipping back if you miss one or two intricate sentences among the dense verbiage.