New York City, the near future: Mitchell Zukor, a gifted young mathematician, is hired by a mysterious new financial consulting firm, FutureWorld. The business operates out of an empty office in the Empire State Building; Mitchell is employee number two. He is asked to calculate worst-case scenarios in the most intricate detail, and his schemes are sold to corporations to indemnify them against any future disasters. This is the cutting edge of corporate irresponsibility, and business is booming. As Mitchell immerses himself in the mathematics of catastrophe - ecological collapse, war games, natural disasters - he becomes obsessed by a culture's fears.
Yet he also loses touch with his last connection to reality: Elsa Bruner, a friend with her own apocalyptic secret, who has started a commune in Maine. Then, just as Mitchell's predictions reach a nightmarish crescendo, an actual worst-case scenario overtakes Manhattan. Mitchell realizes he is uniquely prepared to profit. But at what cost?
At once, an all-too-plausible literary thriller, an unexpected love story, and a philosophically searching inquiry into the nature of fear, Nathaniel Rich's Odds Against Tomorrow poses the ultimate questions of imagination and civilization. The future is not quite what it used to be.
Editors Select, May 2013 - I was interested in Nathaniel Rich’s Odds Against Tomorrow because it sounded like an off-centered, dark, and altogether odd story. What I’ve read so far has proven me right, but there’s so much more to be discovered that I’m thoroughly intrigued by what lies ahead. Mitchell Zukoff is in the insurance business, and a recent catastrophe has driven a huge demand for his work. He’s good at selling fear because he himself is intensely fearful – of carbon monoxide poisoning, tidal waves, fault lines, and other disasters and their probabilities. While Rich’s tone gives a sense of impending doom, there is an optimistic lightness in Mitchell’s unusual correspondence with an old friend, and it’s this light/dark contrast that I find most interesting about the book so far. I’m also very interested to hear what narrator Kirby Heybourne does with this book, as his performances of Gone Girl and Cloud Atlas are loved by our listeners. Chris, Audible Editor
"It is almost impossible to read this novel without indelible images of Hurricane Sandy coming to mind. The novel succeeds on its own terms in envisioning such a disaster in terrifyingly visceral terms. And Mitchell's intensely fraught journey from man of intellect to man of action is one the [listener] will not soon forget." (Publishers Weekly)
"Let's just, right away, recognize how prescient this charming, terrifying, comic novel of apocalyptic manners is...Rich is a gifted caricaturist and a gifted apocalyptist. His descriptions of the vagaries of both nature and human nature are stark, fresh, and convincing, full of surprise and recognition as both good comedy and good terror must be." (The New York Review of Books)
"This literary thriller is blessed with a propulsive plot, macabre humor, several richly developed characters, and serious ethical and philosophical issues, all lightly clothed in skillful writing. Highly recommended." (Booklist)
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A re-write ....
The story is just soft, in one paragraph you go from one life changing decision to another without any progression or sequencing.
No... The performance was good.
And the forecast for tomorrow is....
I didn't read the print version. No way of telling.
Yes. Compelling dytopian story, in a crowded field of them.A unique take on this topic, with a compelling set of characters.
Kirby rocked this. One of the best performances of the year. He OWNS the principals.The performance of this book is equal to the writing. Very impressive.
The post storm scenes of NYC are moving,and paint a grim, accurate picture.
Scott Simon interviewed the author on Weekend Edition in mid May , and I found the conversation compelling and worth the listen. This is an excellent credit investment.