Regular price: $20.99

Free with 30-day trial
Membership details Membership details
  • A 30-day trial plus your first audiobook, free
  • 1 credit/month after trial – good for any book, any price
  • Easy exchanges – swap any book you don’t love
  • Keep your audiobooks, even if you cancel
  • After your trial, Audible is just $14.95/month
Select or Add a new payment method

Buy Now with 1 Credit

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Buy Now for $20.99

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's Summary

Numero Zero is the feverish and delightfully readable tale of a ghostwriter in Milan whose work pulls him into an underworld of media politics and murderous conspiracies (involving the cadaver of Mussolini's double, naturally). This novel is vintage Eco - corrupt newspapers, clandestine plots, imaginary histories - and will appeal to his many readers and earn him legions of new ones.
©2015 RSC Libri S.p.A. (P)2015 Recorded Books
Show More Show Less

Customer Reviews

Most Helpful

By Darwin8u on 11-19-15

Numero NADA!

"Suspicions never go too far. Suspect, always, suspect, that's the only way you get to the truth. Isn't that what science says?"
-- Umberto Eco

I'm not sure what it is about aging, but some of my favorite writers DeLillo, Roth, and Eco produce absolutely sh!t novellas in their later years. Delillo seems to have hit his high mark with 'Underworld'. Philip Roth with 'The Plot Against America'. The minor books these greats wrote in their later years (Roth's entire Nemesis series, for example) just seem like the apathetic efforts of grumpy old men who don't know how to NOT write, but actually seem fairly uninterested in the processes now. It bores them, and thus it bores us too.

And let me just say that when writing a book of less than 200 pages, all future authors take note, PLEASE don't use the term 'danse macabre' more than once unless you are writing ON the medieval genre or allegory or personification of death. Seriously, where was the editor?

OK, to walk back my review, just a bit. There were a few interesting sections of this novella. The Mussolini/Vatican/Gladio/Stay-Behind conspiracy WAS interesting. Also, Eco's critique of journalism was pretty d@mn sharp. Just not sharp and interesting enough to make this anything more than a G-chord (muted middle finger) of a novel. But I would argue you get better writing and a more interesting story from the French Flaps on either Foucault's Pendulum or The Name of the Rose than you get from the entire Numero Nada.

Read More Hide me

12 of 19 people found this review helpful

By Bryan on 12-12-17

The book Eco shouldn’t have written

Late un life, Umberto Eco turned out some good books, The Prague Cemetery among them. He should have stopped there. This, his last novel, is a disaster.

Read More Hide me
See all Reviews
© Copyright 1997 - 2018 Audible, Inc