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“We are what we pretend to be, so we must be careful about what we pretend to be.” This is one of the most often quoted of Kurt Vonnegut’s writings and one of the central themes of this selection. Because it is revealed early in the book that the main character and storyteller pretends to be the broadcaster of Nazi propaganda during WWII, it’s not much of a spoiler. It is also revealed early on that he is an agent who sends coded messages to the Americans in his broadcasts. Therein is the tension in the book between the “good” and “evil” roles the protagonist must play. And, there are layers here to the good and evil dichotomy: do the ends justify the means and how does society and history deal with those individuals who do evil things to achieve righteous goals.
This all sounds like a book that might be rather reflective and philosophical and, for some, this may turn out to but need not be the case. The book starts off simply enough and contains incidentals that are seemingly tangential but all of which interweave and come together in the end with a rather unexpected conclusion. The story is haunting from beginning to end. If you are anything like me, this is a tale that will stay with you for days after finishing it. This is simple and beautiful prose about some of the complexity of our human nature.
The book is more meta-fiction than historical fiction. While the book has been characterized as black comedy, for me the book was deadly serious. I would not even call it gallows humor. When it comes to this time and place in history, I find nothing humorous nor do I think that the author intended that. The book does not seem to purport to dramatize, with any accuracy, core events that actually happened in way of the protagonist. The historical figures, places and things relative to WWII are there but, with regard to this Nazi propagandist, spy for the U.S. around whom the whole story revolves, no such person existed.
One of the best narrators of audiobooks, Victor Bevine, reads the book literally with short bursts of “..,” he said, “..,” she said, “..,” he said” that were totally distracting. If this were not such an incredible book, I would have been totally put off by this kind of nonsense production and I cannot help but forgive this shortcoming. In fact, Mr. Bevine is a great performer of different character voices and this kind of “he said” reading was not necessary. His performance of various characters in the Hyperion Cantos is almost without peer. This must have been a decision on the part of the producer or publisher Audible Modern Vanguard but it was a decision that did not do this wonderful book justice. Strange that the word modern is in the publisher’s name. This is not the way modern audiobooks should be produced. That aside, the book is still highly recommended.
Story and Writing: 5 Stars
Narrator: 5 Stars
Decision to use He said-, She said-type of production: 0 Stars
11 of 11 people found this review helpful
I read "Mother Night" in college in the 60's. It was great then - it is still great. I believe it is one of Vonnegut's best novels, written at a time when he wrote novels instead of extended short stories that depended upon refrains and cartoons. (Sorry Kurt, but I know you'll understand what I mean, wherever you are.) The audio narration and pacing is excellent, the subject matter is complex and yet is told with simplicity and clarity. This is good stuff.
6 of 6 people found this review helpful
What didn’t you like about Victor Bevine’s performance?
I like Victor Bevine's voice and tone but the producers should have selected a narrator with some knowledge of the German language. Bevine reads the many single words and whole sentences written in German with such an accent that makes my stomach churn every time. It's quite clear he doesn't know what he is reading. This spoiled the experience for me and as much as I love Vonnegut I can't forget how badly this was read.
1 of 1 people found this review helpful
Any additional comments?
In places you could be forgiven for thinking your were listening to an episode of 'Allo 'Allo.
Some people insist that Vonnegut should be read and not listened to. Perhaps this recording is the reason why. If this was your first experience of Vonnegut please do not give up.
(If you want to hear some excellent work from Mr Bevine try The Fall of Hyperion)