Pulitzer Prize, Fiction, 2003
In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blonde classmate with a gift for acting. The passion that furtively develops between them - along with Callie's failure to develop physically - leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.The explanation for this shocking state of affairs is a rare genetic mutation - and a guilty secret - that have followed Callie's grandparents from the crumbling Ottoman Empire to Prohibition-era Detroit and beyond, outlasting the glory days of the Motor City, the race riots of 1967, and the family's second migration, into the foreign country known as suburbia. Thanks to the gene, Callie is part girl, part boy. And even though the gene's epic travels have ended, her own odyssey has only begun.Spanning eight decades - and one unusually awkward adolescence - Jeffrey Eugenides' long-awaited second novel is a grand, original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire.
Why we think it's Essential: A Pulitzer Prize guarantees a great story; an Audie Award guarantees a captivating narration - Middlesex has both, plus Oprah's stamp of approval to boot. But for this essentials list, it's the Audie that carries the most weight, and Kristoffer Tabori is most deserving of this prize. He makes this generation-spanning saga an effortless listen, using unique characterizations to seamlessly weave the past and the present. Absolutely captivating. Diana Dapito
Audie Award Winner, Fiction (Unabridged), 2003" "Impressive [and] wonderfully engaging." (The New York Times)
"Eugenides proves that he is not only a unique voice in modern literature but also well versed in the nature of the human heart. Highly recommended." (Library Journal )
"A towering achievement...a story that manages to be both illuminating and transcendent...[Eugenides] has emerged as the great American writer many of us suspected him of being." (Los Angeles Times Book Review)
"Not only are his interpretations of the characters astonishingly credible, but his internalization of the narrative is nothing short of amazing." (Publishers Weekly)
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Not exactly what I expected