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Publisher's Summary

"My father’s wife died. My mother said we should drive down to his place and see what might be in it for us."
So begins this remarkable novel by Amy Bloom, whose critically acclaimed Away was called "a literary triumph" (The New York Times). Lucky Us is a brilliantly written, deeply moving, fantastically funny novel of love, heartbreak, and luck.
Disappointed by their families, Iris, the hopeful star and Eva the sidekick, journey through 1940s America in search of fame and fortune. Iris’s ambitions take the pair across the America of Reinvention in a stolen station wagon, from small-town Ohio to an unexpected and sensuous Hollywood, and to the jazz clubs and golden mansions of Long Island.
With their friends in high and low places, Iris and Eva stumble and shine though a landscape of big dreams, scandals, betrayals, and war. Filled with gorgeous writing, memorable characters, and surprising events, Lucky Us is a thrilling and resonant novel about success and failure, good luck and bad, the creation of a family, and the pleasures and inevitable perils of family life, conventional and otherwise. From Brooklyn’s beauty parlors to London’s West End, a group of unforgettable people love, lie, cheat, and survive in this story of our fragile, absurd, heroic species.
©2014 Amy Bloom (P)2014 Random House Audio
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Critic Reviews

" Lucky Us indeed - another Amy Bloom book. And, if it’s possible, even more powerful and affecting than her last novel, Away. This is a poignant book that manages to be funny, an unflinching portrait that manages to be tender, a tough story that manages to also have jazz and grace. Bloom is a great writer who keeps stepping into new territory, entirely unafraid. She is one of America’s unique and most gifted literary voices." (Colum McCann)
" Lucky Us is a remarkable accomplishment. One waits a long time for a novel of this scope and dimension, replete with surgically drawn characters, a mix of comedy and tragedy that borders on the miraculous, and sentences that should be in a sentence museum. Amy Bloom is a treasure." (Michael Cunningham)
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Customer Reviews

Most Helpful
4 out of 5 stars
By SydSavvy on 10-20-14

Somewhat like being in the Oz Poppy Field

I think I'll stick with my first assessment: Fascinatingly Weird. Or the Strange Plot Twist Road to the Rainbow at the End of the Road to Perdition.

Every time you think you have the story figured out, you get slammed with a Plot Twist from out of nowhere. Any less of a writer couldn't have dished it up and served it so well. Who won't like it? Practical readers without fortitude or patience, or maybe just with much bettet sense than me, or maybe with less of a sense of humor. I'm not even really sure why I liked it, other than that I love the ability to look (through great writing) at a wide variant of American life in the forties. I love how the tone is so light and matter of fact despite all the heavy subjects. And I truly deeply wanted things to work out for little Evie in the end. She is special and steadfast in her own way, so the only comparison I have is that she gives us a look at life and love and death in the 40s via a sort of Forrestina Gump voice who does Strange Childhood, Peas and Carrots Half Sister, Hollywood, and Jersey, with Jazz, Jewish, and Germanic undertones.

Warning: Probably not for the Super Southern Conservative? But hey, if you read Fifty Shades- and based on sales numbers I think everyone in the world did- then I don't really see the difference. Just take it with a grain of salt.

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2 of 2 people found this review helpful

1 out of 5 stars
By L. Dubas on 01-12-16

Improbable disjointed story with flat characters

This book wasn’t for you, but who do you think might enjoy it more?

The sisters relationship was the strongest part of the book.

What do you think your next listen will be?

Not sure.

Would you be willing to try another one of Alicyn Packard’s performances?

I'm trying to actually read this book now to see if the performance might have added to what turned me off about this book.

If you could play editor, what scene or scenes would you have cut from Lucky Us?

The section on Danny when Eva was telling him his life story. The reader already knew his life story so why retell it in babyish language --and using the adjective "amazing" a million times? Why tell about his experiences in school since the character really led nowhere other than being a prop for the Eva character.

Any additional comments?

The characters weren't fleshed out enough. Why did they do what they did? Why was Eva a slave to everyone around her? Why did Eva and Iris have a falling out? Why did Francisco leave Hollywood? Why did Clare get involved with Edgar and then lose interest the minute he got sick?

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