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What did you love best about Kill Creek?
Four horror-story best-selling authors are offered a proposal they'd rather refuse: meeting at an obscure 'most haunted house' - for an interview. Dangled as bait: an absurd paycheck for a few day's travel, and the possible propulsion to world fame and money...mega-millions in book sales. But there was a twist: The interview would be 'live' - streamed as it happened to millions of people world-wide, by the billionaire owner of the internet media's prime trend-maker "WriteWire".
Three men and a woman are invited to the interview, then learn this will be a 'group interview' - a vying for 'best author to be promoted'. All four write 'horror' as differently as they appear: Sam, lean and writer-blocked, whose novels twist ordinary days into terror, while his own horrific past keeps flashing back - Daniel, a Christian doughboy who scares teens with philosophic endings - T.C. Moore, a hard Gothic diva whose novel covers of sex, blood and perversity are horrifying in themselves, especially when written by a woman - and the impeccable Sebastian Cole, the most prolific of the authors, whose prolific classic British horror had engaged fans who liked to 'think'.
Thoughtfully written with partial 'reveals' of each character's secrets, nudged along with dark references that slip into your subconscious, the book twists from the expected 'Ten Little Indians" format into that of an UN-haunted house - an infuriating joke made at the four writers' expense. Then it twists once again, and the real darkness creeps back in as the real story of 'the house' is revealed.
My professor in 'creative writing' used to tell me 'how to create a plot': "See that statue out there?", he'd say. "Turn it upside down, and write about what you discover." Always practical, I'd think in terms of bronze, concrete, steel, even the earth and the grass roots beneath it. "Nope", he'd grin, as he sucked on his pipe. "Try again, and use your imagination this time."
Scott Thomas' superb writing flips that statue multiple times, and with each landing , another plausability skews the story down an increasing, frightening scenario. Narration by Bernard Clark is 'right on' as he nails accents from the Midwest to the Eastern Europe. This is one of the VERY, VERY FEW novels that I will probably read again. I urge you to read it also!
17 of 18 people found this review helpful
I️ am a true horror fan and not easily scared, but this book had me looking in the back seat of my car while driving back and fourth from Utah to Montana. Scott Thomas did a great job telling a well put together story by providing enough detail on that long trail to the end without over doing it.
7 of 7 people found this review helpful