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Just Above My Head
- Narrated by: Kevin Kenerly
- Length: 20 hrs and 45 mins
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The Book that Threatened the White Establishment
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Publisher's summary
The stark grief of a brother mourning a brother opens this novel with a stunning, unforgettable experience. Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that inflames his nonfiction work.
Here, too, the story of gospel singer Arthur Montana and his family becomes both a journey into another country of the soul and senses - and a living contemporary history of black struggle in this land.
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My darling little boy Albie adores playing at our new neighbours’ house. And after the terrible year we’ve had, I feel so lucky that we can start over in this perfect place, with new friends who treat Albie like the son they never had. He can’t stop talking about the tree house they’re building him, and the cookies they bake together. But as time passes, something starts to feel wrong. Why don’t they ever open the front door more than a crack? They told me they had no children so who does the small pink tricycle I saw in their hall belong to?
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Miss Lucy-price Lewis
- By Angie on 06-07-23
By: K. L. Slater
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The Jane Austen Collection
- An Audible Original Drama
- By: Jane Austen
- Narrated by: Claire Foy, Gugu Mbatha-Raw, Billie Piper, and others
- Length: 45 hrs
- Unabridged
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Renowned as much for her wit and satirical social commentary as for her stories of love and romance, Jane Austen remains unfailingly relevant and one of Britain’s best loved authors. In this Audible Original collection, an all-star list of narrators (Billie Piper, Claire Foy, Emma Thompson, Florence Pugh and Gugu Mbatha-Raw) capture Austen’s pin-sharp humour and tone in these dramatisations of her six beloved novels accompanied by a full cast.
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Not a faithful rendition
- By Anne McClain on 12-13-20
By: Jane Austen
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Fingerprints of the Gods
- The Quest Continues
- By: Graham Hancock
- Narrated by: Graham Hancock
- Length: 18 hrs and 31 mins
- Unabridged
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Fingerprints of the Gods is the revolutionary rewrite of history that has persuaded millions of listeners throughout the world to change their preconceptions about the history behind modern society. An intellectual detective story, this unique history audiobook directs probing questions at orthodox history, presenting disturbing new evidence that historians have tried - but failed - to explain.
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Classic in Historical Mysteries
- By Kelly on 09-05-19
By: Graham Hancock
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David Copperfield
- By: Charles Dickens, Sam Mendes, Marty Ross - adaptation
- Narrated by: Ncuti Gatwa, Helena Bonham Carter, Theo James, and others
- Length: 8 hrs and 13 mins
- Original Recording
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Join David as he encounters his eccentric Aunt Betsey, faithful Peggotty and the villainous Uriah Heep, and as he falls in love with Little Em'ly, Dora and Agnes. And then there is old school friend James Steerforth: dashing, daring and seductive. This dramatisation explores the complexities and intimacies of that relationship beyond anything possible in Dickens' day, in an adaptation giving fresh life and vividness to this beloved tale.
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Fan fiction
- By Bethany Piskorski on 12-12-23
By: Charles Dickens, and others
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"There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their heads above water.
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Personal and prophetic, these essays uncover what it means to live in a racist American society with insights that feel as fresh today as they did over the four decades in which he composed them. Longtime Baldwin fans and especially those just discovering his genius will appreciate this essential collection of his great nonfiction writing. Along with 46 additional pieces, it includes the full text of dozens of famous essays from such books as:
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A Critical Masterpiece.
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This stunningly personal document and extraordinary history of the turbulent '60s and early '70s displays James Baldwin's fury and despair more deeply than any of his other works. In vivid detail he remembers the Harlem childhood that shaped his early consciousness, the later events that scored his heart with pain - the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his return to the American South to confront a violent America face-to-face.
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A strange and terrible vehicle
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insightful
- By Jose L. Massas on 01-07-23
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Nobody Knows My Name
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James Baldwin's Nobody Knows My Name records the last months of this famed American writer's 10-year self-exile in Europe, his return to America and to Harlem, and his first trip south at the time of the school integration battles. It contains Baldwin's controversial and intimate profiles of Norman Mailer, Richard Wright, and Ingmar Bergman. And it explores such varied themes as the relations between blacks and whites, the role of blacks in America and in Europe, and the question of sexual identity.
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Excellent on all counts!
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Masterful Essayist
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James Baldwin’s stunning first novel is now an American classic. With startling realism that brings Harlem and the black experience vividly to life, this is a work that touches the heart with emotion while it stimulates the mind with its narrative style, symbolism, and excoriating vision of racism in America. Moving through time from the rural South to the northern ghetto, Baldwin chronicles a 14-year-old boy’s discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935.
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Knotted Around Some Raw Edge of My Soul
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James Baldwin’s critique of American society at the height of the civil rights movement brings his prescient thoughts on social isolation, race, and police brutality to a new generation of listeners.
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I wish there was more analysis…
- By lawrence fauntleroy on 08-26-23
By: James Baldwin, and others
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At once a powerful evocation of his early life in Harlem and a disturbing examination of the consequences of racial injustice to both the individual and the body politic, James Baldwin galvanized the nation in the early days of the civil rights movement with this eloquent manifesto. The Fire Next Time stands as one of the essential works of our literature.
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Sad and moving and powerful and beautiful
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Giovanni's Room
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Set in the 1950’s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, James Baldwin’s now-classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart.
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Baldwin: sensational. Butler: great. One caveat.
- By Music Man on 06-28-14
By: James Baldwin
What listeners say about Just Above My Head
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Africa
- 12-02-18
Wonderful poignant story
The story of Arthur Montana is heartbreaking because of the world in which he finds himself, a world that rejects his black and gay self. Baldwin is a master at revealing the workings of the human heart. As a gospel singer, Arthur travels the world and no where does he face hatred and violence such as that confronted in the Deep South, the Bible Belt.
Baldwin’s love scenes are explicit and not for the faint of heart.
I read the novel back in the 70s but enjoyed listening to it EXCEPT when the reader tried to imitate a woman’s voice . His rendition was excruciating. Why not have an actual woman read those parts ?
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57 people found this helpful
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- Vicky
- 05-24-16
Excellent
This is the best book on Audible. And trust me I have listened to close to 1,000 and I hardly ever review.
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31 people found this helpful
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- Joe Kraus
- 09-22-19
Baldwin's Flourish, in a Flawed Novel
Baldwin’s “Sonny’s Blues” is one of the three or four greatest short stories I know. I’ve read it at least a dozen times, often to prepare for teaching it, and I have teared up almost every time. It takes a perspective “we” can almost know – a middle-aged African-American high school teacher who’s served in the army – and has him serve as “our” guide to the great artistry and deep hurt of his jazz-inspired brother. The story somehow collapses the whole of the brothers’ lives – there’s a line about our narrator catching Sonny when he takes his first steps – and even echoes the deeper experience of African-Americans as a whole. And it also may be the greatest primer to the possibilities of jazz that anyone has ever written.
I’ve put “we” and “our” in quotes because It’s a deep question when it comes to defining who it is Baldwin is writing for. I think “Sonny’s Blues” is powerful in part because it’s a supposedly marginal figure who’s able to make his story accessible to a generic – read “white” as near synonym – audience. Of course, it’s more than that as well, and part of its power is the way it ultimately makes me realize how wide the world of perspective is beyond my own.
This novel comes more than two decades later, but I think “Sonny’s Blues” informs it. The novel begins as almost a reprise, with our narrator, Hall, writing of how he learned of his brother Arthur’s death. (“Sonny’s Blues” begins with the narrator learning of Sonny’s arrest for heroin possession.) Then it spends a good chunk of the first “book” exploring how they came to be estranged and how they came to understand one another.
This novel is, in its way, even more ambitious, though. It deals not just with the African-American experience and the power of music (Arthur is a successful gospel singer) but also the civil rights struggle, sexual abuse, and homosexuality as an emerging cultural possibility.
This is an important book, as is anything Baldwin ever wrote. And, since it is Baldwin, there are moments of soaring prose. (Consider two quick gems: “Music does not begin as a song. It can become a song, but it begins as a cry.” Or “Our suffering is our bridge to one another. Everyone must cross this bridge.”) And, given that this is written in 1979, it’s an important landmark in naming the LGBT experience as authentic to the American experience as a whole.
This is not, in the end, though, a great novel. Its ambition weighs it down throughout, and it seems often to be reminding us of all it’s trying to do. I often found myself admiring some of the characters’ insights, but I seldom found myself caught up in the story itself. I felt good about being someone who was reading it, but I didn’t enjoy the reading as I would have hoped.
For starters, the dialogue here is clumsy. Characters don’t talk to each other so much as make speeches in front of one another. (The grand quality of many of them reminds me of the social realism novels of the 1930s, of something James Farrell might have written in the years before he discovered James Joyce.) Or, when they aren’t, they’re moving the narrative forward in awkward ways, introducing each other and explaining things in dialogue that we could get more efficiently through other narrative forms.
And then there are the explicit sex scenes. I have no problem with the content, but they often feel almost clinical, like we are being asked to acknowledge that, yes, human animals experience arousal and lust of this sort. They make me think a little of the great Monty Python skit where, for a sex education class, John Cleese, as a professor, invites his wife into the room, and they proceed to go at it on a desk. Then he interrupts himself occasionally to scold the students for laughing. Maybe nothing about this books says “ ’70s novel” more than that, but it feels dated and awkward. It’s great that he’s showing that we should be no more shocked by gay sex than by hetero, but neither comes across as authentic.
But the biggest problem I have is with the fundamental narrative structure. Our narrator is Hall, but it seems as if Baldwin is bored with him. (There’s even a part, at the start of the final book, when Hall asks himself why he is trying to tell this story – a telling bit of uncertainty – and he concludes that it’s to make sense of Arthur’s story more than his own.) Most of this story, then, concerns Arthur – or others like their neighbor and some-time lover Julia – often in private moments Hall could never have known.
In other words, Hall is a narrator telling us about events he can’t possibly have seen, which undermines him as a narrator/character.
Narrative technology has come a long way in the forty years since this came out. I think of what I like to call the rhizomatic novel where we get a series of only tangentially connected stories in a single volume, stories that, in conversation, tell more than any one figure could know. Or we get the proliferation of excellent short story cycles that have come out since. Instead, this seems like a novel trapped in a form of story-telling that can’t quite encompass it.
There is greatness here. I suspect there’s greatness in anything Baldwin ever put down on paper. But this work as a whole doesn’t come together as it might. I am glad I read it, but I am also glad I am finished reading it.
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27 people found this helpful
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- Amazon customer
- 09-04-17
Novel & Performance: AMAZING
Both Performance and Novel are stunning. Author's genius is complemented to perfection by reader's impressive talent. Bravo
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16 people found this helpful
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- Alison
- 05-27-16
Riveting love story and the evolution of self.
I think this love story really spoke to self awareness. The homosexuality peace was almost just a backdrop. James Baldwin's Vivid accounting made you feel like you were there in Harlem or Paris
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12 people found this helpful
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- Charles V.
- 02-20-19
A Compelling Chronicle of the Black Experience
I chose this book after seeing the movie, If Beale Street Could Talk. I had never read James Baldwin, I am sorry to say. This book popped up and I’m so glad I selected it. It is an account of the black experience set in Harlem during the 50s and 60s, with forays into the Deep South in the beginnings of the civil rights movement. It is beautifully written. Be warned, however, that it graphically and realistically portrays the sexual experience. I have no problem with this but some might. I highly recommend this book.
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10 people found this helpful
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- AISHA
- 07-16-16
Riveting!
Everything about this book was relevant to contemporary times. James Baldwin's storytelling is beautiful and rich. The actor was amazing as well.
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- Jaron
- 01-31-20
I love Baldwin but...
I can't lie. we love Baldwin because of how he so eloquently paints pictures of the black diaspora, the life of black people in America, and the life of gay people in the black culture... but... damn this was a hard book to hold onto. I found myself slipping in an out of the text because it was just so wordy. I could have never read this book by hand, I would have passed out at every page trying to remember what I had read on the previous page.
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9 people found this helpful
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- Ekua
- 12-22-18
Excellent !
This is a brilliant book written by a gifted artist! James Baldwin is inspirational to me.
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- Kindle Customer
- 10-19-17
Fantastic! Love Kevin Kenerlys voice!
I have always been a fan of James Baldwin. Loved this storyline very much. Thanks
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9 people found this helpful