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Editorial Reviews

Life as a newlywed can be complicated enough — but for Shoko, a young Japanese woman who moves to California with her American military husband after World War II, the challenges — a new language, different customs, unknown traditions — are even greater. In How to Be an American Housewife, Margaret Dalloway traces Shoko’s journey from her youth as a pretty girl in Japan who’s in love with a boy from the wrong social class to her old age as an ailing mother of two, still struggling to make peace with her past. Narrator Laural Merlington brings Shoko to life with the pitch-perfect accent of a native Japanese speaker relying on years of careful, practiced English, and gives Shoko’s simple stories — a showdown with her child’s teacher, tea with a neighbor, the first time she makes spaghetti — an emotional depth based on years of passion, pain, and secrets.
As an old woman, Shoko is driven to make one last trip to Japan to reconcile with the family she hasn’t spoken to in decades, but when her health prevents her from traveling, she convinces her daughter, Sue, to take her place. Though Shoko and Sue (like most mothers and daughters) have a lifetime of misunderstandings between them, Sue’s trip to Japan allows her to see her mother in a whole new way, and draws the entire family closer together. Narrator Emily Durante, as Sue, brings a set of familiar feelings to the performance — frustration, disbelief, and eventual understanding among them. The title of the book comes from a manual that Shoko receives upon her arrival in the U.S., which offers tips on everything from submitting to your husband’s religion to making homemade pasta sauce — and the excerpts from the book that open each chapter show just how many sacrifices young war brides made to fit into their new lives. But while the culture clashes never go away entirely, the novel shows that the relationship between a mother and daughter can find a way to overcome them. —Blythe Copeland
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Publisher's Summary

How to Be an American Housewife is a novel about mothers and daughters and the pull of tradition. It tells the story of Shoko, a Japanese woman who married an American GI, and her grown daughter, Sue, a divorced mother whose life as an American housewife hasn't been what she'd expected. When illness prevents Shoko from traveling to Japan, she asks Sue to go in her place. The trip reveals family secrets that change their lives in dramatic and unforeseen ways.
Offering an entertaining glimpse into American and Japanese family lives and their potent aspirations, this is a warm and engaging novel full of unexpected insight.
©2010 Margaret Dilloway (P)2010 Tantor
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Critic Reviews

"Dilloway splits her narrative gracefully between mother and daughter (giving Shoko the first half, Sue the second), making a beautifully realized whole." ( Publishers Weekly)
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Customer Reviews

Most Helpful
2 out of 5 stars
By Kirsten on 04-12-12

big disappointment

After reading all of the positive reviews of this title, I was terribly disappointed with this audiobook. The story was a trite Hallmark card, the dialogue was stilted and almost unbelievable, and the narration, while energetic, was the worst part. I've enjoyed Laural Merlington's narrations in the past, and she does a good job here, but the pronunciation of the Japanese was atrocious. If Merlington was bad, Durante's pronunciation was even worse. That would be acceptable as she is reading for Sue, but grating and wrong when she reads for other native Japanese speakers. I really wish that the producers of audiobooks would choose narrators who can actually attempt the non-English language in the text.

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7 of 7 people found this review helpful

5 out of 5 stars
By CAREY on 09-07-12

Well told tale!

Would you recommend this audiobook to a friend? If so, why?

If you like family sagas this one is right up there. If you enjoy Oriental tales, this is for you.

What about Laural Merlington and Emily Durante ’s performance did you like?

Accents were great.

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1 of 1 people found this review helpful

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