Regular price: $38.49

Membership details Membership details
  • A 30-day trial plus your first audiobook, free.
  • 1 credit/month after trial – good for any book, any price.
  • Easy exchanges – swap any book you don’t love.
  • Keep your audiobooks, even if you cancel.
  • After your trial, Audible is just $14.95/month.
Select or Add a new payment method

Buy Now with 1 Credit

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Buy Now for $38.49

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Add to Library for $0.00

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Editorial Reviews

On its first publication into English in 2009, Hans Fallada’s 1947 book instantly took its place amongst 20th-century classics, aided (with the exception of a few jarring choices) by Michael Hoffman’s clean and lively translation. This recording, dripping with character, should help spread the word of this modest masterpiece even further.
Essentially, the book shows how corruption, intimidation, and fear radiate outwards from a morally bankrupt political center to the furthest reaches of society — a world of fear where neighbors and strangers alike are on the make, not to be trusted. The effects of countless assaults on personal decency and integrity are pitilessly displayed as, like an unblinking camera, Fallada follows each plot line to its conclusion. The remorseless force of destiny that propels each event is no less harrowing for being inevitable.
George Guidall possesses an idiosyncratic voice — if you already love this book, no doubt each character is a vivid presence in the back of your mind, and it will take a while to acclimate to Guidall’s aged and vinegary voice. But it is also a surprisingly malleable instrument — Fallada’s rich cast of characters is wholly present as Guidall shifts between long-suffering, resolute, broken, wheedling, pleading, and avuncular.
Guidall’s performance brings life to Fallada’s achievement in combining the cat-and-mouse criminal investigation of Crime and Punishment with Balzac’s exploration of society’s lower orders: In his portrayal of the cynical and relentless Gestapo inspector Escherich, the voice drips with insinuation and corruption, while the simple proletarian couple at the heart of the book speak with long-suffering endurance and increasingly angry resistance.
Every Man Dies Alone is also striking in the depth and complexity of its female characters, and here, too, Guidall delivers a set of subtly shaded performances. And in the last chapters, where suffering and oppression are raised to a state of grace, the spoken and written word become indivisible as the dramatic power of Fallada’s redemptive vision is movingly delivered by Guidall. —Dafydd Phillips
Show More Show Less

Publisher's Summary

Hans Fallada wrote this stunning novel in only 24 days—just after being released from a Nazi insane asylum. Based on a true story, Every Man Dies Alone tells of a German couple who try to start an uprising by distributing anti-fascist postcards during World War II. But their dream ultimately proves perilous under the tyranny that dominates every corner of Hitler’s Germany.
©2009 Melville House Publishing; Translation, Michael Hofman (P)2010 Recorded Books, LLC
Show More Show Less

Critic Reviews

"The book has the suspense of a John le Carré novel, and offers a visceral, chilling portrait of the distrust that permeated everyday German life during the war." ( The New Yorker)
Show More Show Less

Customer Reviews

Most Helpful
5 out of 5 stars
By Heimo on 04-06-10

a difficult masterpiece

for anyone who wants to know what it was like to live in world war 2 germany, this is probably the best place to learn. for me the book was at times humorous, at times heart breaking, at times astonishing. the level of characterization rivals balzac at his best, the layers of political plotting are as good as dostoeyvsky. the writer apparently loved dickens and it shows. even in their darkest hours, fallada s good characters cannot be anything but good. which is good because evil characters abound in the book as they did in nazi germany. you can read a book like Hitlers Willing Executioners and be stunned into belief, but in a book like this you live the life of the revolutionary character in a way that gets into your soul. these two characters could be your parents, or your grandparents. they are difficult and loveable, and to the very end of the book nothing matters as much as their fate.

I do not agree that any of the characters or their dialogue feel dated. rather it is the reading given by this narrator that makes it sound that way. he gives one character a whiny voice that was probably accurate, but in an audio book, with no face to go along with it, it did seem exaggerated, even cartoonish. there were a few times when i thought the book would have been served better by a less exciteable acting. but that is only my opinion, someone else might love it. the narrator did a fantastic job otherwise, and obviouslsy gave it his whole heart. it was convincing and passionate.

a note about the translator. if you like this book, you should check out his other translations, particularly the books of joseph roth whom i had never heard of until moving to germany many years ago. he is now one of my favorite writers, and that debt is owed to this translator who is a poet, and who has a fantastic way with words.

this book should be read by anyone who thinks torture is a good idea, at any time, for any reason.

Read More Hide me

30 of 30 people found this review helpful

4 out of 5 stars
By Cariola on 01-02-12

Hard Times

Written in 1947, this novel is based on the true story of a working class couple who left anonymous post cards in and around Berlin during the Nazi regime. The subversive cards encouraged people to sabotage the Nazi war effort by slowing down work in any way possible. The real-life couple, as well as the novel's main characters, Otto and Anna Quangel, were eventually captured and executed. There are also several subplots involving neighbors and relatives of the Quangels, including an elderly Jewish woman whose husband was taken away by the Nazis, an SS officer, a young thug making his way up the ranks of the Hitler youth, a female postal worker and her long-philandering husband, and others. Like most stories about Nazi Germany, this is the story of common people struggling just to survive and, sometimes, taking extraordinary risks along the way.

I found [Every Man Dies Alone] difficult to read because of its relentless tension and the relentless cruelty and manipulations of the Nazis and their sympathizers. I'm sure that is exactly the effect that the author had hoped for, but: 1) I felt that I had suffered through similar books before, so there were few surprises; and 2) I just kept wishing that it would be over, since the unhappy ending was inevitable. These comments aren't meant to be disparaging; they just express the emotional impact that the book had on me personally. Would I recommend it? Yes, with the caution that it is far from a light summer read. If you 'appreciated' (I can't say 'enjoyed') books like Night or Schindler's List, you might want to put Every Man Dies Alone on your wish list--but don't expect heroism, suffering, and endurance to be rewarded here, nor the evil to be punished.

Read More Hide me

13 of 13 people found this review helpful

See all Reviews