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By Pamela Harvey on 10-02-13
Perfect Meditation on Loss
As the other reviewers have shared, this book is more of a contemplative exploration on grief and loss, than a story in the conventional sense. Harding's writing is elegant and throughly crafted with layers of detail, as he gradually progresses deeper and deeper into his own dark places, which match the dark woods near Enon, his home.
I would compare this to Joyce Carol Oates' treatment of grief in her book "A Widow's Story", which focuses more on the details and nuances of her daily life as does Harding, but her focus is more at a distance, as though she is an outsider, observing her own recovery, and recording her days as she experiences them. She certainly has plenty of "stuff" to fill her life - friends, family, a job at the top of her field, but even with all this, she is reduced to the same questions - now that the loved one is gone, what is life's meaning and how do we interpret its lessons?
Enon shows us how a a seemingly well-constructed life can implode by a single devastating loss, and how precarious are our attachments. One day it's all hanging together for Charlie, the next day his daughter is dead and his wife is gone. There certainly is no "resolution" in the conventional sense, not for this reader, anyway. I read the book twice and was twice led to the conclusion that Charlie had reached a conditional accommodation to his condition, was taking some steps to rebuild, but was certainly not yet emotionally solvent. Letting go of his dependency on prescription drugs was a start.
I applaud Harding for not turning Charlie's story into an archetypal "hero's quest" for redemption. Instead it's a realistic account of what's left to work with, and using that to restart, after all our life-sustaining resources seem to be gone.
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