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Colleen Mcculough's Rome series is way more 3 dimensional. It is at the same time more enjoyable as fiction and more historically accurate. This book is ok, the performance is very good, were it any less good I wouldnt have bothered with the story. The narrative likes sword... um gladius strokes, way more than politics, or social history. I would estimate the word "gladius" is used 300 times in the first two books of this series, which I bought together.
There are no real discriptions of places, neither homes nor forts nor markets, there are no holidays or festivals, there are no debates. The one time we are invited to dine there is no food and no conversation, just the assertion that children should be still while eating and that Aurelia has a medical condition. This is what I mean by thin. The characterizations of men seem limited to how good they are at violence.
Aurelia, who is a favorite character in first man in rome, is reduced to a shadow, and a nasty one at that. Its the totally fictional bit players here that add interest for me. The historical figures are cardboardy. I dont see that this will get repeat listens
Having said all that, its not terrible, I am listening all the way through and I have not yet decided if I will finish the series, but that has more to do with the lack of new offeriings I want to hear just now than because I really like it. I wish audible would get the rights to sell the rest of the Mccullough books unabridged. And I cant wait for January when the new Ruso book comes out from Ruth Downie.
I am offering the comparison so that other listeners will understand my definition of great historical fiction. I know lots of people will see this as action packed and thrilling, its just not my favorite kind of thing
17 of 17 people found this review helpful
What was it like to live in B.C. Rome. This book gives you the feeling that you are there. Conn puts you in the head of some of the most famous leaders of history. The book is entertaining from start to finish. There are no slow parts, no fillers, no bull. I will be buying the rest of the series.
This being fiction, Conn explains in the end what he did to write the story. I love authors who say something at the end about how and why they write what they write.
I liked the series about Genghis Khan just a slight better, but that is probably because I have always been more interested in China's history then in Rome's. This being the fourth book I have listened to written by CI, I do not believe you can go wrong. So pick which ever history you would like to live in and listen to that.
16 of 16 people found this review helpful
Excellent. Enjoyed the entire book. Had to pace myself otherwise I would have listened in just a couple of sessions. Well written and well read. Story very easy to follow and the characters were bought to life by good narration. Would recommend to anyone who likes historical novels.
14 of 14 people found this review helpful
This was my first taste of a Conn Iggulden novel and I thoroughly enjoyed it. Yes it isn't exactly based on historic fact, as explained by the author himself at the end. He has taken some poetic licence with the timelines and has crafted a fictional account of what Julius' early years might have been like. As there is no actual written account of his childhood the author based his story around what it would have been like for a typical middle class Roman boy and I think he's done a fantastic job. I thoroughly enjoyed Robert Glenister's narrative and I can't wait to listen to the next book in the series. I'm middle-aged and female so probably don't fit the typical demographic of Conn Iggulden readers but as an avid reader of historic fiction and non-fiction I would recommend this writer to anyone who enjoys the same.
12 of 13 people found this review helpful
always interested in the history and story matched the time
Very enjoyable and the narrator added value - couldn't wait to download the next book
3 of 3 people found this review helpful
Ripping yarn told with Robert Glenister's usual aplomb.
Spoilt by the author's disregard for historical accuracy with regard to known facts about real people and events.