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Publisher's Summary

A reimagining of one of Shakespeare's most well-known tragedies, by the contemporary, critically acclaimed master of domestic drama.
Henry Dunbar, the once all-powerful head of a global media corporation, is not having a good day. In his dotage, he hands over care of the corporation to his two eldest daughters, Abby and Megan, but, as relations sour, he starts to doubt the wisdom of past decisions.
Now, imprisoned in Meadowmeade, an upscale sanatorium in rural England, with only a demented alcoholic comedian as company, Dunbar starts planning his escape. As he flees into the hills, his family is hot on his heels. But who will find him first, his beloved youngest daughter, Florence, or the tigresses Abby and Megan, so keen to divest him of his estate?
Edward St Aubyn is renowned for his masterwork, the five Melrose novels, which dissect with savage and beautiful precision the agonies of family life. His take on King Lear, Shakespeare's most devastating family story, is an excoriating novel for and of our times - an examination of power, money, and the value of forgiveness.
©2017 Edward St. Aubyn (P)2017 Random House Audio
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Critic Reviews

"A brilliant reworking of William Shakespeare's King Lear for our day." (Kirkus)
"Perhaps the most brilliant English novelist of his generation." (Alan Hollinghurst)
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Customer Reviews

Most Helpful

By Trudy Owens on 10-25-17

depressing tale of horrid people

The narration is amazingly stupendous. His voices for the senile, psychotic old men, the condescending nurse, the greedy daughters, the vicious hit men are painfully believable and fantastically acted.

The author's prose is delicious, full of delightful imagery and alliteration.There is humor in his word choice and juxtaposition.

It's just that the story is awful. There's a mad hermit gay defrocked priest, a cliché of a corrupt doctor, a foolish randy body guard, mention of an old death that might be murder but is not further discussed, torture and suicide, another death that is murder but is also not solved or resolved.

Two sadistic sisters want to trick their failing dad out of the family business. One family friend wants to trick them out of their trick. The third daughter just wants Daddy to be well and happy again. Daddy Dunbar stumbles through a freezing moor while his unhinged mind rambles through his life's regrets not knowing if he is mad or sane. About 3/4ths of the way through, there is some nasty action, and some tension, then there's resolution and forgiveness, and then it all ends horribly. If this is an allegory for our politics or society, we can all just slit our wrists now. Maybe this is good for some philosophy course in nihilism, I don't know. Not nice.

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