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Where does Collateral rank among all the audiobooks you’ve listened to so far?
All of Ellen Hopkins books are amazing, never disappointed, unfortunately I'll have to buy the Kindle version of this one as well - Rebekkah Ross is too hard to listen to - monotone, says 'een' for every work ending with 'ing' puts my teeth on edge
What other book might you compare Collateral to and why?
I haven't read anyting around this topic but Ellen Hopkins books all have a similar feel, not to say they're formulaic but each one keeps you wanting more - she always produces a great read.
How could the performance have been better?
If the narrator would just say 'ing' instead of 'een' she'd probably be ok for the voice of a teenager but for more mature characters she doesn't cut it.
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