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Publisher's Summary

Eighty-nine-year-old Isabelle McAllister has a big favor to ask her hairdresser, Dorrie. She wants the black single mother to drop everything and drive her from Texas to a funeral in Ohio - tomorrow. Dorrie, fleeing problems of her own and curious about Isabelle’s past, agrees, not knowing it will be a journey that changes both their lives.
Isabelle confesses that, as a teen in 1930s Kentucky, she fell in love with Robert Prewitt, a would-be doctor and the black son of her family’s housekeeper - in a town where blacks weren’t allowed after dark. The tale of their forbidden relationship and its tragic consequences just might help Dorrie find her own way.
©2013 Julie Kibler (P)2013 Blackstone Audio, Inc
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Customer Reviews

Most Helpful
5 out of 5 stars
By Christina6marie on 08-17-15

Hope they make a movie!!

A little slow moving at first but I spent many nights up far too long just to get a little more. Funny, sad and touching all rolled into one! Both main characters brought something unique to the story. This is one I will listen to again.

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5 of 5 people found this review helpful

3 out of 5 stars
By Alexandria on 12-13-13

I really wanted to like it

I really wanted to like this book for two reasons: 1. Bahni Turpin, 2. The reader reviews were so overwhelmingly positive that it seemed I couldn't possibly go wrong picking this book as my next listen. Wrong I went.

This is a book which reinforces stereotypes, simplifies complexities, and doesn't attempt to ask or raise a single question. The characters and plot are so absurd that it can't even count as entertaining. This book was not worth of such amazing narrations from these two fine women.

The story is simplistic, the characters are flat. The narration of Isabelle is done in the past tense, while Dorrie's is in the present. Near the end, their stories clumsily converge.

Isabelle is viewed by everyone in her life as perfect. Dorrie listens to her sad and depressing story for days on the way to a funeral, never once criticizing Miss Isabelle for a single thing. In fact, she holds her on a pedestal as the utmost example of a human being. This contrasts with the actual portrayal of Isabelle, which proves her to be an irritating, selfish, and implausibly naive girl and then woman.

Dorrie's story, on the other hand, seems random and at odds with the major plot (Isabelle's story). It is also disturbingly reflective of negative stereotypes. Mostly, it seemed that Dorrie was only put into the story in order to praise Miss Isabelle and try to convince the reader of her goodness, and to revise her own life after having Miss Isabelle's bright white light shown upon her. Ick.

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44 of 51 people found this review helpful

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