Audie Award Finalist, Best Male Narrator, 2016
Breakfast of Champions (1973) provides frantic, scattershot satire and a collage of Vonnegut's obsessions. His recurring cast of characters and American landscape was perhaps the most controversial of his canon; it was felt by many at the time to be a disappointing successor to Slaughterhouse-Five, which had made Vonnegut's literary reputation.
The core of the novel is Kilgore Trout, a familiar character very deliberately modeled on the science fiction writer Theodore Sturgeon (1918-1985), a fact that Vonnegut conceded frequently in interviews and that was based upon his own occasional relationship with Sturgeon. Here Kilgore Trout is an itinerant wandering from one science fiction convention to another; he intersects with the protagonist, Dwayne Hoover (one of Vonnegut's typically boosterish, lost, and stupid mid-American characters), and their intersection is the excuse for the evocation of many others, familiar and unfamiliar, dredged from Vonnegut's gallery. The central issue is concerned with intersecting and apposite views of reality, and much of the narrative is filtered through Trout, who is neither certifiably insane nor a visionary writer but can pass for either depending upon Dwayne Hoover's (and Vonnegut's) view of the situation.
America, when this novel was published, was in the throes of Nixon, Watergate, and the unraveling of our intervention in Vietnam; the nation was beginning to fragment ideologically and geographically, and Vonnegut sought to cram all of this dysfunction (and a goofy, desperate kind of hope, the irrational comfort given through the genre of science fiction) into a sprawling narrative whose sense, if any, is situational, not conceptual. Reviews were polarized; the novel was celebrated for its bizarre aspects and became the basis of a Bruce Willis movie adaptation whose reviews were not nearly so polarized. (Most critics hated it.)
Editors Select, June 2015 - There's a line in Amy Poehler's Yes Please where she says that 'teenage bodies should be filled with Vonnegut and meatball subs.' That was me. I devoured Vonnegut's unique voice; his genre blending; his irreverence; and, most of all, his dark humor. All of these things are on full display in Breakfast of Champions – a book that, as the narrator deceptively points out at the start, is about the 'meeting of two lonesome, skinny, fairly old white men on a planet which was dying fast,' but is actually so much more. John Malkovich's narration is a true masterstroke. The renowned actor's distinctive voice embodies the charm and menace implicit in Vonnegut's work, especially as the fourth wall crumbles and Vonnegut's omniscient narrator becomes a character in his own book. And so on. Doug, Audible Editor
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Kurt Was Right to Grade This a C
- Dubi "People say I resemble my dog (and vice-versa). He can hear sounds I can't hear, but I'm the one who listens to audiobooks."
Classic Vonnegut ; missed opportunity by Malkovich
Malkovich's deadpan tone is spot-on. Not spot-on is his frequent misreading of sentences and his weird tendency to run consecutive sentences into each other. I don't think Malkovich had his attention focused on the task. His mind was wandering. This performance was well done in many places, but in many other places it was distracting and off-putting.
If you are unfamiliar with Vonnegut or with this book Breakfast of Champions in particular, then I do *not* recommend listening to this audiobook. It will not make you a fan of Vonnegut.