From award-winning writer David Mitchell comes a sinewy, meditative novel of boyhood on the cusp of adulthood and the old on the cusp of the new.Black Swan Green tracks a single year in what is, for 13-year-old Jason Taylor, the sleepiest village in muddiest Worcestershire in dying Cold War England, 1982. But the 13 chapters, each a short story in its own right, create an exquisitely observed world that is anything but sleepy. A world of Kissinger-esque realpolitik enacted in boys' games on a frozen lake; of "nightcreeping" through the summer backyards of strangers; of the tabloid-fueled thrills of the Falklands War and its human toll; of the cruel, luscious Dawn Madden and her power-hungry boyfriend, Ross Wilcox; of a certain Madame Eva van Outryve de Crommelynck, an elderly bohemian emigre who is both more and less than she appears; of Jason's search to replace his dead grandfather's irreplaceable smashed watch before the crime is discovered; of first cigarettes, first kisses, first Duran Duran LPs, and first deaths; of Margaret Thatcher's recession; of Gypsies camping in the woods and the hysteria they inspire; and, even closer to home, of a slow-motion divorce in four seasons.Pointed, funny, profound, left-field, elegiac, and painted with the stuff of life, Black Swan Green is David Mitchell's subtlest and most effective achievement to date.More
"Great Britain's Catcher in the Rye, and another triumph for one of the present age's most interesting and accomplished novelists." (Kirkus Reviews)
"Gorgeous....Captures the sheer pleasure of being a boy and brings to mind adventures shared by Huck and Tom." (Publishers Weekly)
"He reproduces Jason's inner life with such astonishing verisimilitude that readers will find themselves haunted by him long after turning the last page." (Booklist)
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Great intro to Mitchell's world: Black Swan Green
Five stars to David Mitchell's unrelentingly real portrayal of one boy's 13th year. Jason Taylor is disturbed, eloquent, sweet, bawdy (in a 13 year old kind of way), unintuitive and unable to be anyone but himself. That last part is the trouble: no one accepts a 13-year-old who is true to himself, so he gets beat up on a regular basis. He has a rough time of it--an unrelenting stammer, a highly developed intellect which does not usually work in his favor, and a vicious internal life--he names his alter egos the Unborn Twin, Hangman and Maggot. But his talent for language (I know, ironic) and the picaresque episodes with unexpected allies put him in the driver's seat for the bildungsroman which is 8th grade. He emerges victorious, to take the challenges of 9th grade on--whether he wants to or not.