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Editorial Reviews

Fans of Steve Martin might at first be disappointed when they note that the talented actor, writer, and musician doesn’t narrate his latest work himself. But once they hear Campbell Scott’s voice, their minor distress will be assuaged. Whether by nature or by practice, Scott’s voice is a near replica of Martin’s — a baritone with a slightly nasal quality that rarely rises or falls in pitch, but still inexplicably conveys incredible depths of emotion.
An Object of Beauty thoroughly entrenches readers in the subculture of the Manhattan art world by following Lacey Yeager, a young, morally ambiguous art dealer who will do anything to make her mark — and make her millions — in the fine art business. Narrator Daniel Franks is an aspiring art writer and friend and witness to Lacey’s life — and accidental co-conspirator to a misdeed that could ruin both their careers. Yet, like most people in Lacey’s life, Franks is drawn into her web willingly, due to her uncanny ability to beguile men, from wealthy art collectors to FBI agents — a skill that aids her speedy ascension in her career.
Thanks to Scott’s pitch-perfect performance, Martin’s presence is felt — and not missed — throughout the reading. The subtle humor is sharp and the plot is driven forward by the desire to uncover where the boundaries of Lacey’s integrity lie — if there are any. Part mystery, part intriguing character study, Martin’s latest creates a dilemma for the listener — you don’t like the protagonist, yet you can’t help but want to know more about her and the sometimes seedy world in which she dwells. —Colleen Oakley
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Publisher's Summary

Lacey Yeager is young, captivating, and ambitious enough to take the New York art world by storm. Groomed at Sotheby's and hungry to keep climbing the social and career ladders put before her, Lacey charms men and women, old and young, rich and even richer with her magnetic charisma and liveliness. Her ascension to the highest tiers of the city parallel the soaring heights - and, at times, the dark lows - of the art world and the country from the late 1990s through today.
©2010 Steve Martin (P)2010 Hachette
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Critic Reviews

"Martin compresses the wild and crazy end of the millennium and finds in this piercing novel a sardonic morality tale." ( Publishers Weekly)
"[A] clever, convincingly detailed depiction of NYC’s art scene." ( Booklist)
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Customer Reviews

Most Helpful
5 out of 5 stars
By L on 12-07-10

Gifted writer, characters and context feel true

I am really enjoying this book so far. Steve Martin is such an intelligent observer of human nature and human behavior, and he's a very good writer. It's hard to believe that a man can write women characters so convincingly, but as was the case with his last book, he manages to capture something elemental and true to female behavior, dress, ways of thinking. I'm not saying all women are like the main character in this novel (thank goodness!) but the main character rings true to me as a woman, as was the case with his last novel's female protagonist. He's a great observer of women's mannerisms and styles. I live in NY, and though I am not a scholar or collector of fine art, it seems to me he captures the NY art and gallery/auction scene as it was during this time period. It's a great, well-observed and well-described glimpse into a world that few of us have the money, time or life experience to enter and I'm finding the story line so far compelling, entertaining and suspenseful even if I wouldn't want to be friends with the main character. She has a certain magnetism and the suspense that carries the story along is equal parts what will she do next and what will happen to her. Clearly Steve Martin knows this world of NYC art, fashion, neighborhoods, personalities from the inside and it's a kind of a buzz hearing him describe things so aptly. I recommend it if you find these things interesting, or if you want to see the surprising literary range of a good actor and comedian.

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20 of 21 people found this review helpful

5 out of 5 stars
By Kelley on 01-06-11

The Great Gatsby was first person too

Let me just say, to get it out of the way, that Campbell Scott's voice is sweetness sparked with thrill. I love his recordings with perfect impurity, and would like (please) many many more.

I loved the book too.

It expertly uses a forgettable narrator (lifted from Fitzgerald, I reckon) to expose one of our world's great divisions: the morally upright versus the charmingly corrupt. Pick your side, because you won't like being stuck in the middle. Poor guy. The last line of this novel broke my heart, and made me start listening all over again.

I'm familiar with New York, love Art Museums, took art history classes in school, and don't miss Steve's wilder crazier side. That's my bias.

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12 of 13 people found this review helpful

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