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"A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be."
In Tokyo, 16-year-old Nao has decided there's only one escape from her aching loneliness and her classmates' bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who's lived more than a century. A diary is Nao's only solace - and will touch lives in ways she can scarcely imagine.
Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox - possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao's drama and her unknown fate, and forward into her own future.
Full of Ozeki's signature humor and deeply engaged with the relationship between writer and listener, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.
Customer ReviewsMost Helpful
By Karen on 01-30-14
Engaging story beautifully read
I loved this book- Not all authors are good readers, but Ruth Ozeki does a marvelous job with this one. Interesting cultural and philosophical and generational contrasts. The story was very engaging in that I found myself glued to it wanting to know what would happen. I cared about the characters and how they fared. I appreciate the moments of magical realism, the mysteries that are left mysteries, the author's allowing the girl narrator to be both wise and shallow, as young people often are. The characters are more real for their flaws. The language is beautiful, the story well-constructed.
One word of caution - there is a lot of discussion of, and exploration of suicide in this book. At times it is uncomfortable - and I imagine that for someone with close experience or unprocessed hurt around this issue, it may be intolerably so. But it is integral to the book and the story, and involves Japanese history and perspectives on this issue. The tension of Japanese and American ways of understanding suicide is part of the story. That the author elicits this in (American) readers is also part of it. So choose accordingly.
For me it was well worth the read.
31 of 32 people found this review helpful
By JOHN on 09-11-13
Ordinarily I do not like to hear an author read his/her own books. Almost always they come across as emotionless and wooden, and one cannot help but wonder why in the world wouldn't a professional WRITER delegate the narration to a professional READER? This is not the case with this book. Ruth Ozeki's reading skills rival that of any I have ever heard. She definitely improves on her written words with her spoken words. Actually I cannot imagine anyone doing a better job than she.
It would seem that the Ruth in this book is the alter-ego of the author, who is drawn to some flotsam on the beach where she finds, among other artifacts, a diary protected within some plastic freezer bags. It soon becomes apparent the diary came from Japan, and although unlikely, possibly from the devastating tsunami of 2011. The diary was written by a Japanese teenager, Nao (not a coincidence that the pronunciation is "Now") who was contemplating suicide. Nao speaks to her reader across an ocean of water and time, and Ruth is drawn deeper into Nao's life. A captivating connection is made between the two through the girl's story, in spite of the chasm of time and space.
This is truly an elegant, lovely, poignant and thought-provoking novel and Ruth Ozeki has proven she is a brilliant author AND narrator. Highly recommended.
29 of 33 people found this review helpful