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The French Revolution is a great backdrop for a novel, just ask Mr Dickens. Mantel should be commended for attempting to be true to history in her copious use of letters and documents of key figures in order to give them an authentic voice when it comes to dialogue. The problem is that most of this book is just dialogue and precious little explanation as to what the hell is going on. I'm a professional historian myself and yet I had difficulty wading through the didactic exchanges of these revolutionaries in order to piece out where we were in the evolution of the Revolution. Even more problematic, in Mantel's effort to rely on writings of these figures in order to put words in their mouths, she forgot that a novel needs a plot. The only satisfaction the reader gets out of this long and dreary piece is seeing everyone get it in the neck. --- Oh, don't accuse me of being a spoiler, you know what happened to these guys, right?
13 of 13 people found this review helpful
This is the first Audible.com book I have experienced (out of several dozeb, possibly a hundred or more) that failed completely. The reason is the narrator's performance, in particular, his indifference to the basic 'grammar' of the author. Let me explain.
Hilary Mantel develops her narration in the form of vignettes, switching from character to character abruptly, and also interspersing commentary and anecdote about other historicual figures. In the printed text, these are separated by a few end-stops, sufficient white space for the reader to know when one episode ends, another begins.
For reasons best known to himself or his director, Mr. Keeble has chosen to ignore these grammatical indicators. He reads the text seamlessly without pause or break, disregarding these endstops. Evidently, empty air is so frightening it's intolerable. Thus, the listener has dialog and action from one scene melded onto the one before, without any idea of whether he is still in the same scene, or another, or hearing a larger comment. The result is that detail becomes impossible to separate or recollect. After five hours of this, I gave up, opened the text, and began reading (which I also do) a really good novel, that is quite easily approachable if you have the common sense to respect the author's intent.
Added to that is the narrator's complete inability to give any of the three main characters (Des Moulin, Robespierre, and Danton) really individual characterization, and you have a disaster.
I am going to be seeking a refund on this one. If you decide to buy it, you have ample warning.
36 of 39 people found this review helpful