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I stopped listening after one last story about some poor dogs and a porcupine and then a sledgehammer. The very long and glowing forward also grew tiring. I don't like to write negative reviews, and tbh the narrators did a pretty good job mostly, but I guess I can only take so much life-story telling from this point of view. I see enough of society's underbelly where I work, I don't need it on my down time, too.
5 of 5 people found this review helpful
One of the narrators, whoever the woman is who reads "Grief" and others, has a voice not unlike a robot reading "talk to text." Her inflections are so alien and odd, I can barely stand to listen to her. If I speed it up to 1.25 it is slightly more bearable, but no less bizarre. The woman who reads "A manual for cleaning women" and others, does a rich, textured, feeling and gravelly performance. I find the disparity in these two voices jarring and ultimately I am just going to buy the book so that I can read it to myself. That being said, Berlin's writing is exquisite- she rights of harsh, beautiful, rough, dirty, gorgeous, sad, depressing, surreal situations and people- my heart feels like it is being torn open from beauty and grief listening to this work. I am so grateful that her work has come to me, and so sad I didn't find it sooner, that most of us didn't find it until after she was dead. Audible, seriously, consider re-recording this volume of stories, nixing the performances of the robot lady, who generally reads anything written in the third person.
13 of 15 people found this review helpful