In a little dive in a small Israeli city, Dov Greenstein, a comedian a bit past his prime, is doing a night of stand-up. In the audience is a district court justice, Avishai Lazar, whom Dov knew as a boy, along with a few others who remember Dov as the awkward, scrawny kid who walked on his hands to confound the neighborhood bullies. Gradually, teetering between hilarity and hysteria, Dov's patter becomes a kind of memoir, taking us back into the terrors of his childhood - his beautiful flower of a mother, a Holocaust survivor in need of constant monitoring; his punishing father, a striver who had little understanding of his creative son. Finally, recalling his week at a military camp for youth - where Lazar witnessed what became the central event of Dov's childhood - Dov describes the indescribable while Lazar wrestles with his own part in the comedian's story of loss and survival. A beautiful performance by Grossman (jokes in questionable taste included).
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Grossman is a genius/performance is excellent
I'm certainly keeping this one--Grossman writes with attention to the moment-to-moment details of dialogue and plot--no flab here. Joe Barrett tackles a difficult work--a lot of movement in and out of different narrative voices--with ease.
- Corby Kelly
A story that touches you to your core
- Elik Cohen