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So many reviewers have said that the book is slow to grab the listener's ear, and I agree, as far as content is concerned. But, John Lee's rendering of the voices and the narrative is superb, and that kept me going. Also, I was extremely drawn to the subject of caste and class in 20th Century India, so I stuck it out through the first third of the book.
Indeed, the stories are extremely saddening (and sometimes quite revolting, so beware if your stomach is as sensitive as mine), which makes the book difficult to digest a lot of the time. Yet, I never had the sense that anything in it was less than believable.
Poverty is often inconceivably harsh, which is why a book like this is so important for readers born and reared in the USA to read/hear. One thing I found myself doing throughout my "listen" was reminding myself of what life was like here, in the same time periods that Mistry's characters were living through, which added to the experience for me.
I can't say I "enjoyed" the book, but I have to say I could NOT stop listening until I got to the end--even though I literally cried for the last 3 hours of it. That is how compelling the writing and the reader of this book were.
17 of 17 people found this review helpful
This is a stunning novel. Had I read it a few years ago I would still have thought so. But, since it deals with a very specific time in the political history of India, I might have felt more detached than I now do.
Americans would do well to read this book, not only for its intrinsic merits but because it should warn us about the consequences of allowing our own political system to grant itself emergency powers. To me, this is no longer the sort of thing that happens only in "third world" countries.
8 of 8 people found this review helpful