Milo Andret is born with an unusual mind. A lonely child growing up in the woods of Northern Michigan in the 1950s, he gives little thought to his own talent. But with his acceptance at UC Berkeley, he realizes the extent - and the risks - of his singular gifts. California in the '70s is a seduction, opening Milo's eyes to the allure of both ambition and indulgence. The research he begins there will make him a legend; the woman he meets there - and the rival he meets alongside her - will haunt him for the rest of his life. For Milo's brilliance is entwined with a dark need that soon grows to threaten his work, his family, even his existence.
"David Aaron Baker's delivery of this outstanding novel is a tour de force of the narrator's art.... Baker gives each family member a distinct voice and memorably acts out a violent scene with such restraint that the listener imagines himself in the room. The repartee between the gravelly voiced aging father and the brainy son is skillfully portrayed. Be it the subtle musings of an Egyptian doctor or the fast-clipped banter of Milo's lifelong rival, Baker masterfully turns this complex story into a mesmerizing modern tale." (AudioFile)
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A superb story told in elegant prose, the first half of The Doubter's Almanac is the story of Milo Andret, who grows up in the 1950s in Michigan. He’s a loner and average student, although he always knows exactly where he is on the plane of the earth, an ability that will purportedly serve him well in the field of topology (geometric properties and spatial relations). He is confused by the domain of human relations, and can “neither predict nor understand the behavior of others”, so he concludes that he’s “entirely alone in the world.” This axiom shapes his whole life. After working as a car mechanic, he eventually ends up in grad. school at Berkeley. He meets a girl named Cle, and with her discovers sex, alcohol, and LSD. Milo is old for a mathematician (they allegedly do their best work prior to age 40), and the sex, drugs, and alcohol seem to allay his fears and frustrations. Milo does go on to solve the fictional Malosz conjecture, win the Fields Medal (the Nobel Prize equivalent in mathematics), and become a professor at Princeton University.
There is an interesting incident in Milo's childhood that figures repeatedly in the story. When he is roaming the forests where he can always place himself, he finds a blown-down tree. Working by himself for weeks, he carves the stump into a 25-foot-long continuous, seamless wooden chain. It’s a beautiful thing, described so well by the author that I could easily picture it and want to possess one just like it. Milo does not readily share the chain with others, but it's a project closely linked to his future work and an interesting symbol.
The second part of the book is narrated by Milo’s son Hans, who chronicles exactly how horrible a person Milo really is – a nasty, drunken womanizer who alternately curses and ignores his family and demeans his colleagues, all without shame or apology. He seems to believe that the “curse of his own genius” entitles him to behave this way, but there will be a high price to pay. He has become a nowhere dense set – a set whose closure has empty interior. This second part also describes the ongoing struggle between Milo and his son. Milo insists that Hans has inherited the mathematical gift and seeing what this has done to his father and himself, Hans attempts to flee the curse in his own destructive ways. Hans must also warily watch his own children for signs of what he fears might befall them.
I was impressed with Canin's ability to write about number theory, submanifolds and differential equations, but always in a way that added to the story and was not distracting nor overwhelming to the reader. I loved his use of mathematical terms to describe ordinary things – “a mud-colored polytope of his mass shot glitteringly into the air”, “the twisted white catenary of the phone cord bridging the darkness from his desk”, “The cut edges of the glasses were projecting stellate tessellations across the mahogany.”
I'm not sure that I agree with the conjecture that genius (of any type) is a curse, but not being any sort of genius myself, I do wish I could have just a small taste. Not all people gifted with extraordinary ability repeatedly sabotage themselves as Milo and Hans do. I did wonder why Milo's family withstood his verbal and physical brutality, and then returned for more. I think Milo becomes utterly overwhelmed by the pressure to work, produce, and to achieve, in addition to the ever-present anxiety that whatever special mathematical gift he had been blessed with could just as easily disappear. There is also the more frightening realization that his supposed genius may not even be so. Knowledge can be a binary gift, something that the world needs and celebrates even as it ostracizes from the world those who possess it. This does not have to be mathematics; it can be any legacy, the qualities we inherit and, with any luck and wisdom, we can strive to improve upon.
"Math is a wonderful thing Math is a really cool thing So get off your "ath" Let's do some math" School of Rock
This novel is well-written and especially unique in its structure, having the Pythagorasian father narrate nearly half the book then his math whiz son narrate the remainder.
The book is touching with its themes of the unbearable pressures of being a demigod of mathematics, and the resulting self-destruction, alcoholism, mental illness and/or addiction, as well as growing up, a genius yourself, to such a brilliant mathematician.
Nonetheless, due to the intensity and black subtext, I would not recommend someone buy this, excepting those who have someone close who is brilliant and suffering mental illness and/or addicted to drugs/alcohol.