• by Haruki Murakami, Jay Rubin (translator), Philip Gabriel (translator)
  • Narrated by Allison Hiroto, Marc Vietor, Mark Boyett
  • 46 hrs and 50 mins
  • Unabridged Audiobook

Publisher's Summary

The year is 1984 and the city is Tokyo.
A young woman named Aomame follows a taxi driver's enigmatic suggestion and begins to notice puzzling discrepancies in the world around her. She has entered, she realizes, a parallel existence, which she calls 1Q84 - "Q" is for "question mark". A world that bears a question.
Meanwhile, an aspiring writer named Tengo takes on a suspect ghostwriting project. He becomes so wrapped up with the work and its unusual author that, soon, his previously placid life begins to come unraveled.
As Aomame's and Tengo's narratives converge over the course of this single year, we learn of the profound and tangled connections that bind them ever closer: a beautiful, dyslexic teenage girl with a unique vision; a mysterious religious cult that instigated a shoot-out with the metropolitan police; a reclusive, wealthy dowager who runs a shelter for abused women; a hideously ugly private investigator; a mild-mannered yet ruthlessly efficient bodyguard; and a peculiarly insistent television-fee collector.
A love story, a mystery, a fantasy, a novel of self-discovery, a dystopia to rival George Orwell's, 1Q84 is Haruki Murakami's most ambitious undertaking yet: an instant best seller in his native Japan, and a tremendous feat of imagination from one of our most revered contemporary writers.
BONUS AUDIO: Audible interviews the translators of 1Q84, Jay Rubin and Philip Gabriel.


What the Critics Say

"Murakami is like a magician who explains what he's doing as he performs the trick and still makes you believe he has supernatural powers.... But while anyone can tell a story that resembles a dream, it's the rare artist, like this one, who can make us feel that we are dreaming it ourselves." (The New York Times Book Review)
“Profound . . . A multilayered narrative of loyalty and loss . . . A fully articulated vision of a not-quite-nightmare world . . . A big sprawling novel [that] achieves what is perhaps the primary function of literature: to reimagine, to reframe, the world . . . At the center of [1Q84’s] reality . . . is the question of love, of how we find it and how we hold it, and the small fragile connections that sustain us, even (or especially) despite the odds . . . This is a major development in Murakami’s writing . . . A vision, and an act of the imagination.” (David L. Ulin, Los Angeles Times)
1Q84 is one of those books that disappear in your hands, pulling you into its mysteries with such speed and skill that you don’t even notice as the hours tick by and the mountain of pages quietly shrinks . . . I finished 1Q84 one fall evening, and when I set it down, baffled and in awe, I couldn’t help looking out the window to see if just the usual moon hung there or if a second orb had somehow joined it. It turned out that this magical novel did not actually alter reality. Even so, its enigmatic glow makes the world seem a little strange long after you turn the last page. Grade: A.” (Rob Brunner, Entertainment Weekly)


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Customer Reviews

Most Helpful

Slow, Strange, and (ultimately) Satisfying

I have been a Murakami fan for years and I have listened to many of his other titles. I waited months before listening to 1Q84 because I was reluctant to spend weeks listening to a single book. When I did listen to it I often questioned my judgment because the story is SO SLOW. When you have over 46 hours to tell a story, an author has a lot of time on his hands. In spite of this reservation, I want to acknowledge that Murakami is such a gifted writer that he uses that time to richly develop and explore the lives of the two main characters.

True to form, Murakami works his magic and finds a way to draw the listener in to his strange world. By the end of this book I was finally intrigued and I looked forward to the last 8 hours (!). Ultimately, it was satisfying. I must admit, however, when I turned off this book for the last time, I asked myself if this was the best use of my 46 hours, 50 minutes. Interestingly, since I finished this book weeks ago, I have thought about it very little.

For those who are curious about Murakami but are reluctant to start a book of this length, I would recommend some of this other titles - especially Kafka by the Shore or Norwegian Wood.
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- Dr.

Hard to Find Fault

This is one of those books that have been getting rave reviews from bibliophile or rather anyone who is a fan of modern literature. The book appealed to me for a number of reasons but for some strange reason I never got around to give it a try until recently. I wasn't disappointed...

The first thing you find right off the bat is how well Haruki Murakami is able to use words to paint a picture. And I am no referring to a half baked imagery that leaves you to fill in the blanks but he fully attempts to describe the scenery in such a way that your entire senses seem to be a part of it. This can cause someone to get impatient and skip past these moments and lose one of the things that make this novel really special.... that amazing attention to detail.

Keep in mind whilst going through this novel that originally this was actually three books. 1Q84 was actually released as three separate books (Book 1, Book 2 and Book 3) and so while it might seem really long, keeping in mind that it originally was three separate books it's actually pretty normal in terms of length (and also bang for your buck seeing that you're buying three books in one). This is one of those books where patience is a good thing, just sit back and enjoy the ride, don't watch the hours spent going through the book just enjoy the actual journey. I can assure you by the time the book actually ends you will be begging for more once you really allow yourself to enjoy it.

1Q84 is, at worst, one of the most imaginative story lines I have ever really come across. Haruki Murakami weaves an elaborate and immaculate storyline with interesting, flawed characters each with their own back story. Even these minor characters are developed in a way that leaves you feeling satisfied in the end. I am seriously impressed as to how Haruki Murakami came up with the storyline and the time and energy that was invested in creating this piece of work, if this is the style of Japanese writers I would hope that more can be translated to English.

The narration in this book takes some getting used to, especially the voice of Allison Hiroto which can quite literally put you to sleep with how soft and gentle it comes off. After an hour or two though all the voices just seem to lay on you like high quality satin sheets (another sleep reference but without it actually putting you to sleep). Once the story picks up you get gripped and caught up with the way the narrators still seem to be so patient in their delivery but yet somewhat wishing they would pick up the pace. Truth be told though, you likely won't increase the tempo at this point because you would have gotten so used to the pace you won't mind it at all.

I truly can just go on and on about this book for the mere fact that it was done so exceptionally well. When I can write a review this long it means I either really enjoyed or really disliked it... and this book.... I LOVED!
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- Theodore

Book Details

  • Release Date: 10-25-2011
  • Publisher: Audible Studios