Ten essential plays by Neil Simon, one of the world’s most celebrated, translated, and widely performed playwrights.
Barefoot in the Park: Newlyweds move into a new apartment with no furniture, the wrong paint, a leaking skylight, and wacky neighbors! A classic comedy! Performed by Laura Linney, Eric Stoltz, et al.
The Odd Couple: Two legendarily mismatched roommates bring down the house in this classic comedy by America’s most successful playwright. Performed by Dan Castellaneta, Nathan Lane, et al.
Plaza Suite: This hilarious comedy follows three brief encounters in the same suite at the famed Plaza Hotel in New York City. Performed by Ed Asner, Richard Dreyfuss, et al.
The Prisoner of Second Avenue: Fast-moving dialog with nonstop Simon quips and jokes performed extremely well by two fine actors. Performed by Richard Dreyfuss, Marsha Mason, et al.
California Suite: Four couples separately inhabit the same Beverly Hills hotel suite, bringing along their problems, anxieties, and comical marital dilemmas. Performed by Dennis Boutsikaris, Bruce Davison, Marsha Mason, and Amy Pietz.
Chapter Two: Comedy and pathos mingle brilliantly in this portrait of a widowed novelist who fears he’ll never love again. Performed by David Dukes, Sharon Gless, Gates McFadden, and Grant Shaud.
Brighton Beach Memoirs: In Simon’s first installment of his darkly funny semiautobiographical Eugene Trilogy, we meet his family in 1930s Brooklyn. Performed by Jonathan Silverman, et al.
Biloxi Blues: The second hilarious installment of the trilogy follows a naïve Eugene Jerome through boot camp. Performed by Justine Bateman, et al.
Broadway Bound: In the final installment of the trilogy, Eugene and his brother, Stanley, pair up to break into the world of comedy writing. Performed by Dan Castellaneta, et al.
Lost in Yonkers: Set in Yonkers, New York, in 1942, two boys, aged 13 and 16, must spend one year with their austere and demanding grandmother. Performed by Dan Castellaneta, et al.
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Good, but missing something
This is funny?
I learned how lucky I am to be living in the "Media Age" of 2014 with so much good material at my fingertips. What was considered good stuff in the 1960s and 1970s when I was a kid now seems weak and barely interesting. There are a few of Neil Simon's plays I would listen to again, but I'd be in no hurry. Want good, old comedy? Try Moliere!
LA TheaterWorks does a good job casting and directing these radio performances. I just wish the material was better.
Audible could at least have listed the plays in the order they appear in the audiobook. There is no way I could jump around to find my remembered favorites. Helping readers navigate within books is something Audible is VERY POOR at and SHOULD IMPROVE, as I have commented several times already.