Wuthering Heights

  • by Emily Brontë
  • Narrated by Anne Flosnik
  • 12 hrs and 19 mins
  • Unabridged Audiobook

Publisher's Summary

Perhaps the most haunting and tragic love story ever written, Wuthering Heights is the tale of Heathcliff, a brooding, troubled orphan, and his doomed love for Catherine Earnshaw. His desire for her leads him to madness when Catherine is made to marry a wealthy lord, sending Heathcliff on a lifelong quest to avenge himself upon those who stole his only love and his life.In this gripping chronicle of the never-ending conflict between the heart and the mind - and the pain and passion of true romance - Emily Brontë created an unforgettable classic saga of love, desperation, vengeance, and forgiveness. Published just one year before Brontë's death in 1848 at the age of 30, Wuthering Heights endures as one of the world's greatest love stories and a classic of English literature.

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Audible Editor Reviews

Emily Brontë's sorrowful story of doomed romance between two childhood friends finds its voice in Anne Flosnik's narration. The diverse range of characters in this classic could present a difficult challenge for a sole narrator, but Flosnik conquers it with alacrity and enthusiasm. She masterfully alters her voice for each character and maintains keen attention to the varied British accents. Without being overly dramatic, Flosnik inserts passion into the dialogue and vividly conveys Brontë's imagery. She captures the cruel infatuation of Heathcliff and the dramatic ranting of his beloved Catherine. Alternately, she delivers the humble narration of maidservant Nellie in kind, measured tones. Flosnik interweaves passionate lamentation with articulate narration.

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What the Critics Say

"It is as if Emily Brontë could tear up all that we know human beings by, and fill these unrecognizable transparencies with such a gust of life that they transcend reality." (Virginia Woolf)

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Customer Reviews

Most Helpful

Deceived by Other Reviews!

How can anyone who has read Jane Eyre (or ANY other Bronte novel for that matter) call this depressing tale of a group of petty, misguided, abusive, intolerent and hostile people "the greatest love story ever"? I am confused. Maybe its because these people are more "realistic" in their view? I have no idea, what I do know is that I felt little or no compassion in my heart for anyone in this tale as they all came off as ugly, petty and self centered. I have no idea what the literary powers that be proclaim about the book, I am sure it is adored for its bleak outlook on 18th century life but I think a book can be bleak and still give us sympathetic characters we can actually like. This one failed miserably and should more accurately be described as "what can happen if you are black hearted and evil, or a selfish petulant brat with ill luck and think you know what love is".
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- Daniaell "Runs with scissors."

Wuthering Depths

This is one of those classics I was never able to get very far into. The first time I got the whole gist of the story was watching the Olivier-Oberon film some time back, which surprised me with how much I disliked every single soul in the story.

Last year I finally got determined to crack the shell of this thing and listen to the audiobook. Heck, I thought, I listened to one of my most-hated-books-ever, Tess of the Durbervilles, and ended up appreciating it; surely it would work with Wuthering Heights.

Or not.

Which is nothing against the narrator. Anne Flosnik was the only good thing about the experience: she was excellent.

But the book made me want to bang my head against a wall until it was over. I am glad I finally completed it. It's a good thing to have under my belt. But the one-word review I posted when I was done was, quite simply, "Phew". it was my expression of amazement at how awful it was - and, more, my relief at being through. Put it this way: there was a very high body count in this book – it was one grim death after another. But I didn't mind so much in WH because, as in the long-ago-seen movie, I hated every single character. They were either so weak that a mouse sneeze would knock them over, or strong in the way that a serial killing psychopath is strong. So there was me listening to the book thinking “Yes! Die! Die! Die!”

I honestly don't know if I've read and enjoyed a book where I've been unable to like anyone involved. And here it was beyond simply not liking anyone – this was a pulsating loathing. I don't know if I'd be able to like this one even if some of the characters were more amiable – there was another big factor in my loathing of this book: the utterly impenetrable dialect. Now, I can usually manage accents, especially British accents of all types. I love 'em. But my lord. A random sample that I pulled out: 'Ony books that yah leave, I shall tak' into th' hahse,' said Joseph, 'and it'll be mitch if yah find 'em agean; soa, yah may plase yerseln!' On paper, I can read that without such a problem. Aloud? It might as well have been Bantu.

Kind of thought it might be now and then.

But no. Hateful characters and impenetrable accents aside, this thing was just so unremittingly bleak, so grim and ugly … Heathcliff hanged Isabella’s dog. As a warning. And now if someone could explain to me why he’s considered (from Wikipedia): “an archetype of the tortured romantic hero”...

“Romantic hero”.

There is more to the word “romantic” than the common usage. I know that. What frightens me is the people who don’t know that, and still call Heathcliff a romantic hero. I would as soon call Ted Bundy a romantic hero.
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- Tracet

Book Details

  • Release Date: 07-28-2008
  • Publisher: Tantor Audio