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Publisher's Summary

Written in Roussillon during World War Two, while Samuel Beckett was hiding from the Gestapo, Watt was first published in 1953. Beckett acknowledged that this comic novel unlike any other 'has its place in the series' - those masterpieces running from Murphy to the Trilogy, Waiting for Godot and beyond. It shares their sense of a world in crisis, their profound awareness of the paradoxes of being, and their distrust of the rational universe.
Watt tells the tale of Mr Knott's servant and his attempts to get to know his master. Watt's mistake is to derive the essence of his master from the accidentals of his being, and his painstakingly logical attempts to 'know' ultimately consign him to the asylum. Itself a critique of error, Watt has previously appeared in editions that are littered with mistakes, both major and minor.
The new Faber edition offers for the first time a corrected text based on a scholarly appraisal of the manuscripts and textual history. Watt is at times extremely funny, bizarre, allusive and richly poetic. Though 'early' Beckett, the novel shows the author to be a remarkable virtuoso, investing plot and pace with classical, intellectual and earthy content style.
Dermot Crowley proves himself a towering Beckett performer, matching clarity with flair; and with its musical surprises (arranged and conducted by Roger Marsh), the recording shows that, once again, a key Becket novel comes to life unforgettably in the audiobook medium.
©2009 The Estate of Samuel Beckett (P)2016 Ukemi Productions Ltd
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Customer Reviews

Most Helpful
5 out of 5 stars
By Nettlewine on 03-04-17

Astonishing performance

Would you recommend this audiobook to a friend? If so, why?

The right friend, absolutely. The performance is a work of art in its own right, and the text is so difficult, it's almost a sport to see what the narrator's going to do with it. What he does is offer this much under-represented text arguably (by me) its best medium.

What did you like best about this story?

Watt has some of Beckett's funniest writing, and there's a great sense of him working towards the inimitable trilogy. The performance here makes sense of the oceans of patterned text when you read it in hard copy, and Crowley brings fantastic light and shade to aid comprehension of the incomprehensible.

Have you listened to any of Dermot Crowley’s other performances? How does this one compare?

I listened to Dermot Crowley on Molloy, so I bought this one with confidence. His performance in Watt is comparable in excellence, but much more of a tour de force, because the text is even more difficult. He utterly brings it to life.

Was this a book you wanted to listen to all in one sitting?

No, I wanted to take it all in in 'movements' -- it evolves and develops in the manner of classical music.

Any additional comments?

I'm so pleased to hear Crowley unleashed on Beckett again -- I'll certainly listen out for more from him.

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3 of 3 people found this review helpful

5 out of 5 stars
By Mike Thomas on 05-05-17

Perfect Narration

If you could sum up Watt in three words, what would they be?

A difficult novel to read made easy by listening to it.

What other book might you compare Watt to, and why?

Murphy and How It Is. They are all challenging books to read and these audio recordings really open out the text.

Any additional comments?

I would like to hear some of Beckett's later novels and short prose on Audible. For instance Ill Seen Ill Said, Company, Worstward Ho! and The Lost Ones.

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2 of 2 people found this review helpful

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