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This book has been reviewed here as presented by other publishers and narrators, but I must say that the narration of this book is some of the best I've heard in my years at Audible. No nuance or inflection was overlooked and the voices always add to and never detract from the suspense.
The book itself is wonderful and becomes especially winding and convoluted during the last half. The plot is quite intricate. Although the manner of writing and speaking is much more formal in this book, written circa 1860, than our language now, it's quite astounding how the phrases and idioms add to the richness of the tale. If you really enjoy "wordcraft", you'll like this!
I liked it so much, I've now begun another book by Collins, "The Moonstone".
39 of 41 people found this review helpful
I skipped this one for many years. I'd read "The Moonstone" in high school and couldn't imagine anything as interesting. But tastes change: the ending of "The Moonstone" now seems contrived in an Agatha Christie-ish kind of way, and the powerful brooding atmosphere of this book trumps it in spades.
Only two readers are named in the blurb, but there are actually several people in the cast. All are first-rate. Like "The Moonstone" itself, and like a handful of other Victorian novels ("Dracula" comes to mind), "The Woman in White" alternates between various narrators, each filling in a piece of the puzzle. Some chapters are taken from diaries; others from correspondence; others were specifically requested from the participants (at least in terms of the story world) to fill out the narrative. One is supplied almost at gunpoint.
My only real regret is that Walter Hartright (get it? Hart Right?) didn't realize at some point that the devoted and courageous Marian was a much better match for him than the passive Laura. But this is, after all, a Victorian novel, and one mustn't upset the apple cart, must one?
There are some wonderful villains here as well, especially the scintillating Count Fosco. Bombastic and ridiculous, with more than a touch of Hector P Valenti, Star of Stage and Screen, Fosco is underneath all that a genuinely frightening and dangerous man.
There was one brief period, about midpoint in Marian Halcombe's narration, when the story started to get on my nerves and I found myself whispering "Get ON with it." But almost exactly at that point, the stakes were suddenly raised from financial risk to life and death, and from that point on the story grabbed hold and wouldn't let go till the last T was crossed.
32 of 34 people found this review helpful
Highly recommended to anyone who enjoys a good mystery. The suspense is built throughout the book and it is really hard to leave and do something else.
5 of 5 people found this review helpful
I love this book and this is a great version of it. The abridged dramatizations never quite make sense, but here you get the full story. I'm not sure about the voice for Marion, but other than that it works really well (Fosco is fantastic). I listened to this on the commute to and from work and I'll miss it now it's finished!
3 of 3 people found this review helpful