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In this world of bribes, vendettas, and swindling, in which heiresses are gambled and won, Trollope's characters embody all the vices: Lady Carbury is 'false from head to foot'; her son Felix has 'the instincts of a horse, not approaching the higher sympathies of a dog'; and Melmotte - the colossal figure who dominates the book - is a 'horrid, big, rich scoundrel...a bloated swindler...a vile city ruffian'. But as vile as he is, he is considered one of Trollope's greatest creations.
Trollope's highly regarded satire is about the dishonest and villainous financier, Augustus Melmotte, who captivates and buys his way into the corrupt aristocratic society of London, throwing it into turmoil.
Described by The Guardian as 'the darkest of Trollope's 47 novels' it is also the longest with gloriously rich subplots. Inspired by the financial scandals of the 1870s, the novel is a dramatization of how greed and dishonesty permeated life during that era.
The Way We Live Now has become recognised as Trollope's masterpiece and was featured at Number 22 in The Guardian's 100 best novels.
Timothy's theatre includes King Lear, The Vote, Uncle Vanya, A Number, Quarter, and Coriolanus and his films include Ever After, Joan Of Arc, Endgame, Iris, The Day of the Jackal. On television, Timothy has appeared in Broken Biscuits (BBC), Great Canal Journeys (across 3 Series), regular role of Stan Carter on EastEnders (BBC); Last Tango in Halifax; Bleak House, Bedtime and Brass.
"A tale of financial skulduggery reminiscent of recent city scandals." (Daily Telegraph)
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Long, but well worth it.
For My Money, Better than Dickens