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Publisher's Summary

The Sun Also Rises is one of Ernest Hemingway's masterpieces and a classic example of his spare but powerful style. A poignant look at the disillusionment and angst of the post-World War I generation, the story introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley.Follow the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the 20th century.
©1926 Charles Scribner's Sons. Copyright renewed ©1954 Ernest Hemingway. All rights reserved, including the right of reproduction in whole or in part in any form; (P)2006 Simon and Schuster, Inc. All rights reserved. AUDIOWORKS is an imprint of Simon and Schuster Audio Division, Simon and Schuster, Inc.
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Critic Reviews



Audie Award Finalist, Classic, 2007
"An absorbing, beautifully and tenderly absurd, heart-breaking narrative....It is a truly gripping story, told in lean, hard athletic prose...magnificent." (The New York Times)
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Customer Reviews

Most Helpful

By Mary Jo Ignoffo on 04-17-15

Disappointed with narration

Wished I had read rather than listened. Very weak narration as compared to other audible books. Hemingway no problem.... Weak acting

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14 of 14 people found this review helpful


By College Student on 10-27-14

Utterly painful droning narration.

This book wasn’t for you, but who do you think might enjoy it more?

Insomniacs. People who unreservedly love William Hurt

What was one of the most memorable moments of The Sun Also Rises?

Giving up and turning the awful droning off.

Who would you have cast as narrator instead of William Hurt?

I cant stay awake through the "Hurt" I realize there are all different tastes and people prefer different narrational styles. However William Hurt to my ears is so painfully flat, droning, and lacking any real character depth in his narration as to make this book listenable. I have had this book for over 6 months and have tried to listen to is many times without success. This is very rare for me to be unable to listen to a story (especially a well written story) due to the narrator. I have narrators I prefer not to listen to (Scott Brick) however I still managed to listen through a @40 hour book (The Company) multiple times in the years it has been in my library. This book however is possibly the first time in my @15 years as an Audible subscriber I can't manage to finish to a book I purchased. Hell I doubt I have managed to stay awake through more than the first couple of hours. As for who to read this story, I would say Campbell Scott. He did a fantastic job on For Whom the Bell Tolls. For me Campbell Scott just gets the Hemingway pacing, cool and tonality.

What reaction did this book spark in you? Anger, sadness, disappointment?

Hugely disappointed by the monotone narration. Such a waste of a good story and a credit.

Any additional comments?

Listen to the sample very carefully, It doesn't get any better and probably gets much worse. ZZZZZZZZzzzzzzzzzzzzzz Can I get a refund for this wasted credit?

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13 of 13 people found this review helpful

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Customer Reviews

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By NP on 05-04-14

Hemingway again but not Hurt

Would you try another book written by Ernest Hemingway or narrated by William Hurt?

This was my first encounter with Hemingway, and threatened to be my last. If I had been listening to an author without such a pedigree, and therfore couldn't go online and be reminded by all and sundry that this is a defining novel, I suspect I would have walked away. This is undoubtedly partly my own fault - I came at the novel cold, without any reading about the context or themes, which at the distance of years would have been extremely useful. However, I believe much of the problem was the narration, which frequently irritated enough to distract concentration from the story. I'm a Scot, so Mike was a bad start - a cartoon character, sounding like a drunken Shrek. The other Brits had accents equally comic-book ridiculous, Brett's variable and often grating American take on Brit upper class just about killing her characterisation. Add in some Fawlty Towers Spaniards and only the Americans sound in any way true. In addition the narrator seems to eschew any flowing sentence structure, pausing where (I presume?) there is no punctuation in the novel, and sometimes grinding almost to a halt before jolting off. Again, perhaps my lack of familiarity with Hemingway is to blame, and he is supposed to be read in the form of heroic poetry, but I found it another layer of distraction.

Any additional comments?

Having read a number of online notes about the book since listening, I would certainly revisit it, as clearly I missed much of what makes this novel stand out. However, that will be a different narrator or a hard copy. Meanwhile I will buy another Hemingway on Audible, and watch Shrek again, where a stereotyped Scottish accent can be appropriately enjoyed.

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1 of 1 people found this review helpful


By Daria on 01-19-10

Excellent Book.

A classic novel that stay forever. Fantastic narrator. Enjoyed it very much!

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1 of 1 people found this review helpful

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Customer Reviews

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By Don on 10-29-17

Captivating interpretation

Reading about Hemingway’s striving for minimalistic writing made me think that William Hurt’s voice was the ideal match - he has a slow pace that matches the short, punchy sentences and dialogue. And he colours it all with accents and intonation. His grasp of Mike’s moods and those of the Count are impressive. Well done.

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By Gaetano on 09-05-17

what a ride

finally feels like a book written for the millennials generation, would suggest this for anyone born after 1985.

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