Originally written in Icelandic in the 13th century AD by an anonymous author, The Story of The Volsungs is a legendary saga based on Norse mythology. The epic describes the legendary history and heroic feats of several generations of mythic Viking families and derives from many sources, including preexisting Edda, or heroic poems, Norse legends, historical events, and orally transmitted folklore. The saga is imbued throughout with themes of power, jealousy, love, vengeance, and fear. Often considered a critical influence on such later works as Richard Wagner's Ring Cycle and J. R. R. Tolkien's Lord of the Rings trilogy, The Story of the Volsungs is a powerful epic that continues to resonate for modern listeners. This edition---which includes excerpts from the Poetic Eddas, one of the sources of The Story of the Volsungs---is the translation by William Morris and Eirikr Magnusson.
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The Story of the Volsungs is a classic Icelandic saga, written in the 13th century from much older oral fragments of songs. Eirikr Magnusson and William Morris??? 1888 translation of the saga is fast-paced, coherent, heroic, tragic, and darkly beautiful. It is mostly prose, but includes many passages of poetry or songs. It influenced H. Rider Haggard???s The Saga of Eric Brighteyes, J. R. R. Tolkien???s oeuvre (especially the Silmarillion), and Poul Anderson???s The Broken Sword. If you like such tragic fantastic adventure fiction, if you are interested in Norsemen (Vikings!), or if you enjoy reading epics for their insights into human nature and their windows into different cultures, you should listen to this audiobook.
It begins with a useful 48-minute introduction by H. Halliday Sparling about the historical, religious, political, and cultural context of the Norsemen and of their sagas, which is followed by an 8-minute preface by Magnusson and Morris about their translation.
The saga depicts the interrelated fates of two great Norse families, the Volsungs and the Guikings. From the opening sequence, in which Sigi, grandfather of Volsung, kills a thrall who outperforms him in hunting and then hides his body in a snowdrift, the people in the saga are prey to overwhelming ambition, pride, envy, love, and hate. So there are plenty of battles, with kings killing kings and heroes dealing death till their arms are ???red with blood, even to the shoulders,??? and murders, brothers killing brothers, sons fathers, and mothers children, with poison, sword, or fire. The Norns have already decided the people???s dooms.
There are also fantastic elements aplenty: men change into wolves, nightmares reveal disastrous futures, magic potions make men forget, magical swords are re-forged, Odin interferes with advice, boon, or doom, and so on. There are many great scenes, like Sigurd talking with a dragon about its cursed treasure or finding the sleep-spelled shield-maiden, Brynhild, ???clad in a byrny as closely set on her as though it had grown to her flesh.??? The characters are compelling because they???re so heroic and flawed. Any character might be loathsome one moment and admirable the next, or vice versa.
The saga is not an easy listen, because many characters??? names sound similar and because of the archaic Malory-esque language used by Morris to evoke a timeless and heroic age (so the free online text might be helpful). But there is a dark, spare, grand, and beautiful poetry in his translation, and reader Antony Ferguson treats the text with restraint and fluency, subtly highlighting its terse turns and beautiful flights and rich alliteration, as in the following excerpt:
"So Regin makes a sword, and gives it into Sigurd???s hands. He took the sword, and said???'Behold thy smithying, Regin!' and therewith smote it into the anvil, and the sword brake; so he cast down the brand, and bade him forge a better."
A wonderful hero's journey--Sigurd the dragonslayer is probably one of the best known heroes in Norse mythology. This saga does not disappoint in terms of its exploration not only of societal mores, but also of the classic heroic quest told episodically, each building on the other. Much has been made of the epic's influences on Wagner and Tolkien--yes, it's that good!