Regular price: $21.31

Free with 30-day trial
Membership details Membership details
  • A 30-day trial plus your first audiobook, free
  • 1 credit/month after trial – good for any book, any price
  • Easy exchanges – swap any book you don’t love
  • Keep your audiobooks, even if you cancel
  • After your trial, Audible is just $14.95/month
Select or Add a new payment method

Buy Now with 1 Credit

By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Buy Now for $21.31

Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice. Taxes where applicable.

Publisher's Summary

The three Theban plays by Sophocles - Oedipus the King, Oedipus at Colonus and Antigone - are one of the great landmarks of Western theatre. They tell the story of Oedipus, King of Thebes, who was destined to suffer a terrible fate - to kill his father, marry his mother, and beget children of the incestuous union. He does this unknowingly but still has to suffer terrible consequences, which also tragically affect the next generation.
These three plays were written around 450 BC, with the playwright following the established convention of presenting the story through main characters but using a chorus - sometimes one voice, sometimes more - as an independent commentator that also occasionally participates in the drama. When the audiences of ancient Athens went to the amphitheatres to see the plays, they would have known the basic story of poor Oedipus.
Nevertheless, the power of Sophocles' retelling made the Theban plays deeply horrifying and affecting - and this is still true now, some 2,500 years later. There is also a strong contemporary resonance for us, for in the 20th century the psychoanalyst Sigmund Freud famously adopted the story to illustrate his Oedipus complex, which, he argued, was a condition of the unconscious mind in boys - that they want to sleep with their mothers. It is interesting that through the character of the queen, Jocasta, in Oedipus the King, Sophocles states this unequivocally.
Oedipus the King is well known. The other two are less so: Oedipus at Colonus, which deals with his last days, and Antigone, which casts the spotlight on his daughter, who, as part of the accursed blood line, chooses to act in a way she believes is right, whatever the consequences. Yet they are equally powerful and moving.
This audio production, with Jamie Glover as Oedipus and Hayley Atwell as his daughter, Antigone, is a world premiere audio recording of all three plays.
With the authoritative but modern translation by Ian Johnston, specially commissioned new music from the English composer Roger Marsh, and a cast of outstanding actors, this Audible Original presentation of Sophocles' Theban plays will be listened to not once but many times.
©2015 Audible Originals (P)2016 Audible Originals
Show More Show Less

Critic Reviews

"This outstanding full cast, and Roger Marsh's original music, serves Ian Johnston's vigorous verse translation of Sophocles very well. None of the actors can be singled out; they're all marvelous at combining the original declamatory tradition with modern ideas about portraying character and emotion. The result is a moving dramatic experience that is enhanced by, but does not require, a background in the classics. This is a first-rate example not only of why the classics endure, but also of what can be done with the medium of audio." (AudioFile magazine)
"The casting is first rate, as are Ian Johnston's strong, simple lines and the startlingly effective music." (The Times)
Show More Show Less

Customer Reviews

Most Helpful

By LacyADM on 07-12-16

So Well Done!

Would you recommend this audiobook to a friend? If so, why?

I would recommend this to anyone who loves Greek tragedy, and to anyone forced to read Greek tragedy against your will!

Who was your favorite character and why?

Antigone, voiced by Hayley Atwell. A strong and compassionate woman.

What about the narrators’s performance did you like?

Hayley Atwell's performance was enchanting. She removed all stiffness from the translation and conveyed the emotion of the character.

Was this a book you wanted to listen to all in one sitting?

I listened to each of the plays in one sitting apiece. They are not the kind of stories you binge on - they are the kind you listen to and then digest as you ponder them later.

Any additional comments?

There's a reason Greek tragedy is still relevant almost 2500 years after it was written. This is a great way to introduce yourself to it, and it's also a great way to enjoy it even if you've already read and loved the works in print.

Read More Hide me

22 of 23 people found this review helpful


By James on 02-22-17

very well done.

this was a very well done work. Worth every penny. highly recommended. if you are looking for a great audio drama look no further.

Read More Hide me

11 of 12 people found this review helpful

See all Reviews

Customer Reviews

Most Helpful

By Anna Maria Rusanova on 06-25-16

Great!

I liked the way the play was transfermed in an audio book!!! Great readrs too!!! Thank you for providing it for free!

Read More Hide me

4 of 4 people found this review helpful


By Dr on 06-21-16

In the harsh Sophoclean Light

Each time I read (or in this case listen to) Oedipus The King, it grows more devastating. I read it first as a student some 13 years ago and it moved me then despite my tender age. I tought the play when I became a teacher, and renewing my aquaintance with it again at 32, thanks to this excellent production, I find that it has grown even more powerful. You need age and success on your side to truly understand the dreadful implications of this story of a good but proud man brought to ruin by an inescapable destiny. Anyone interested in Theatre or Literature should get this. you don't need a grounding in Greek mythology to enjoy it as most actions are explained by the characters, but be advised it isn't an easy listen. The production values are good and the acting is for the most part excellent; Johnstone's translation is indeed authoritative, but it it sometimes lacks the pithiness of Robert Fagles' translation. this is made up for by the strength and pathos of the main performers, and the occasional clunkiness of the translation is most apparent in the lines of the chorus; watch out for Jonathan Oliver, something about his voice suits his role in the chorus perfectly. I look forward to listening to the two remaining Theban plays, but I think Oedipus will haunt me forever. I've learned to count no man truly happy until he is dead, and you don't forget lessons like that in a hurry.

Read More Hide me

3 of 3 people found this review helpful

See all Reviews