The Mill on the Floss

  • by George Eliot
  • Narrated by Laura Paton
  • 20 hrs and 36 mins
  • Unabridged Audiobook

Publisher's Summary

Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy.


See More Like This

Customer Reviews

Most Helpful

I loved it

Excellent narration. A joy to listen to. Of course George Elliot is simply marvelous, as always.
Read full review

- Luvslace

Loved it, but it did not have to end so tragically

The story is totally engaging, the writing superb, the characters are mostly well-developed. The family dynamics are great - if you ever think you have a dysfunctional family, or a grandmother or aunt (or parent) that is too critical of everything you wear, or your hair style, your life choices - read this. The depiction of the choices of women is what we find in literature of this era, and much has been written from the feminist angle, from the angle of the sibling relationship, and other aspects. The book is definitely deserving of such analyses and that is testament to its caliber. However, I was troubled by the depiction of different types of love. Stephen Guest's love does not show any depth. What is it that he loves about Maggie? It really isn't clear. Is it just that she represents what his parents would never have chosen for him, and she is pretty, too? There is not intelllectual connection that we can see. A bit of singing? Philip, on the other hand, appreciated Maggie on an intellectual level, and would be someone with whom she could have achieved the intellectual promise she showed from such a young age, if not at the professional level, at least at the personal level. Is the need for desire on the part of a "handsome, tall, desirable" guy so great that it puts all reason aside? Is all this a reason to seek the kind of "redemption" (as a reviewer I read put it) that she had at the end? What psychological problems did Maggie have that her connection to her brother was so much stronger than any other need, including life? It is certainly interesting to see how Eliot chose to end this, and certainly engaging.
The narration is excellent, even if at times it seems a little too pitiful sounding.
Read full review


Book Details

  • Release Date: 10-05-2012
  • Publisher: Naxos AudioBooks