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Publisher's Summary

This is quite possibly Chesterton's most famous novel. All that G. K. Chesterton's critics labeled him- devotional, impious, confounding, intelligent, humorous, bombastic - he wove into The Man Who Was Thursday. This page-turner sends characters bobbing around a delightfully confusing plot of mythic proportions. The story begins when two poets meet. Gabriel Syme is a poet of law. Lucian Gregory is a poetic anarchist. As the poets protest their respective philosophies, they strike a challenge. In the ruckus that ensues, the Central European Council of Anarchists elects Syme to the post of Thursday, one of their seven chief council positions. Undercover. On the run, Syme meets with Sunday, the head of the council, a man so outrageously mysterious that his antics confound both the law-abiding and the anarchist. Who is lawful? Who is immoral? Such questions are strangely in the presence of Sunday. He is wholly other. He is above the timeless questions of humanity and also somehow behind them.
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Customer Reviews

Most Helpful

By Erez on 06-11-10

Indescribably good

There's something about this book which no plot synopsis can convey. This is in part due to the writing: Chesterton writes prose that is as beautiful, as playful, as inventive as poetry. The plot, too, has a unique quality which makes it truly captivating. This book is funny, bewildering, confusing and moving. One of the best I've come across in a long while.

And a note regarding the narration: If you're familiar with Simon Vance, no recommendation will be necessary. If not, then just do yourself a favor, get this audiobook and get to known one of the best narrators out there, if not *the* best.

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11 of 11 people found this review helpful


By Claire on 04-09-12

Perfect narration brings a unique novel to life

Would you recommend this audiobook to a friend? If so, why?

An almost-forgotten classic of early 20th century fiction, The Man Who Was Thursday captures the frenzy and fears of fin de siècle Europe. It is also a funny, thought-provoking read. To enjoy it, though, you will need to suspend all your judgments of what makes for a good detective novel, a good literary novel, a good comedic novel, or a good historical novel--this novel plays with all these categories and more as it gallops along to its completely unexpected climax.

After listening to this recording I felt that it's also a book that really SHOULD be heard, instead of read silently. Chesterton's delightful use of alliterative language is a joy to listen to, and the voices of the novel's many characters (and they are all, believe me, 'characters') are superbly rendered in this recording by Simon Vance.

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5 of 5 people found this review helpful

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