Originally published in 1895, Robert W. Chambers' The King in Yellow is a marvel of supernatural fiction that has influenced a number of writers in the genre, most notably H. P. Lovecraft. Its powerful combination of horror and lyrical prose has made it a classic, a masterpiece of weird fiction that endures to this day.
There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days.
The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.
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- Die Falknerin "Painter, musician, bibliophile..."
A tale of two books
The complete shift of story type in the second half. The first half of the book is a series of macabre short stories in the vein of Poe, but then the second half turns into a series of pointless romantic blathering about American artists in Paris' Latin Quarter at the close of the 19th century. I kept waiting for the stories to take a turn but they just continued to prattle on about pots of pansies and the inane interactions between the artists and their various crushes.
Rudnicki's monotone performance with little distinction between characters means I am unlikely to listen to something by him again. Gabrielle de Cuir only performed the occasional snippet of poetry at the beginning of a story. Basically a non-entity.
Disappointment. The actual stories around the fictional play of the King in Yellow were intriguing, but the rest was a waste of time