Eight of George Bernard Shaw's most memorable plays in one splendid collection:
Mrs. Warren’s Profession: Shaw pits a clever heroine against a memorable gallery of rogues in this superbly intelligent and still shocking comedy, which was banned for eight years from the English stage after its London debut. Performed by Shirley Knight, et al.
Arms and the Man: The beautiful, headstrong Raina awaits her fiancé’s return from battle – but instead meets a soldier who seeks asylum in her bedroom. Performed by Anne Heche, et al.
Candida: Shaw’s warm and witty play challenged conventional wisdom about relationships between the sexes, as a beautiful wife must choose between the two men who love her. Performed by JoBeth Williams, et al.
The Devil’s Disciple: A young hero who disdains heroism makes the ultimate sacrifice for honor and country during the American Revolution. Performed by Richard Dreyfuss, et al.
Major Barbara: This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can! Performed by Kate Burton, Roger Rees, et al.
The Doctor’s Dilemma: A well-respected physician is forced to choose whom he shall save: a bumbling friend or the ne’er-do-well husband of the woman he loves. Performed by Martin Jarvis, Paxton Whitehead, et al.
Misalliance: A self-made millionaire and his family invite their future in-law for a visit to their estate. In this delightfully clever play, issues of gender, class, politics, and family are all targets for Shaw’s keen wit. Performed by Roger Rees, Eric Stoltz, et al.
Pygmalion: Shaw’s beloved play about an irascible speech professor who decides to mold a Cockney flower girl into the darling of high society. Performed by Shannon Cochran, et al.
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Impressive Collection of Shaw
Lively, high quality presentation of GB Shaw's major plays
Yes, if they have a a curmudgenly nature coupled with a residual belief in the innate dignity of human beings. It is not for those who have succumbed to the xenophobic newspeak of our times.
The obvious comparisons are to the plays of Noel Coward and Oscar Wilde. All three expressing a bemused view of humanity that veers toward cynicism, with Coward descending into acidic bitterness. The three are like homemade lemonade with varying levels of sugar--Noel sometimes forgetting to add any sugar at all.
The performances are lively without going over the top. It cannot be better than a good live performance, but it is a nice change from a dry read.
I have one complaint, something that really annoys me (possibly others), that applies to all Audible compilations I have experienced. The 'Chapters' are completely anonymous. It is impossible to jump directly to one of the later plays. One has to 'fish' for it. This could be easily fixed by annotating the chapters with the name of the plays.