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Can't be fairly compared to the horror novels of today, and that could go both ways. If you can sit down and shut out the world, slow down your own thoughts, and listen to the words, you will feel the anxiety building in layers, with even nature contributing to the ultimate madness and horror. The centuries old family castle is itself a creature conspiring to hold its inhabitants in a dark limbo. A short story with hardly a plot -- but simply, horribly, brilliant. Listening to Poe is like watching a great painter build his canvas stroke by stroke into a masterpiece.
31 of 35 people found this review helpful
Over three decades since I last read this classic of the genre that Poe made his own and which he labelled in his anthology, the "Tales of the Grotesque and Arabesque", it has lost none of psychological intensity. Long before there was Stephen King and Alfred Hitchcock before him, Poe was frightening the growing number of adults who were looking for something more than the prevalent romances of his time. In some ways, Poe borrowed from the noir repertoire that was entrenched in Paris, in others, as I have mentioned, he created his own style.
The symbolism is almost as important as the literal, and it remains so.
I regret that I did not care for Ms Dobson's reading. In my opinion she paused where there was no warrant to pause and her nasal delivery grated upon me. Also, perhaps strangely, she ended many sentences with a flat, downward inflection to the detriment of the words and the symbolism.
The rating is a reflection of the narration, not the tale that remains as full of dread today as when I first read it.
2 of 2 people found this review helpful