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Publisher's Summary

Now, for the first time in audio, Blackstone presents seven great plays in one volume: Euripides' Medea, Shakespeare's The Tempest, Moliere's The Imaginary Invalid, Dumas' Camille, Ibsen's An Enemy of the People, Shaw's Arms and the Man, and Chekhov's Uncle Vanya. These productions illustrate the development of European drama from ancient times to the threshold of the modern theater. A superb repertory company has been assembled for these recordings, all under the direction of veteran producer Yuri Rasovsky, who has won both the Audie Award for book production and the George Foster Peabody Award for broadcasting. These are not mere readings. Rather, they are full performances using all the resources of audio to full advantage. Just as stage plays are "opened up" when adapted to film, so these selections create greater intimacy. "Staginess" is avoided, lively theatrics enhanced, while the substance of the works remains intact. For instance, in Arms and the Man, audio makes possible the judicious integration of the author's witty scene settings, written for the published version of the play, with the play itself. This is the play that established Shaw's reputation as one of the greatest wits of the London drama scene.
Music accounts for another noteworthy aspect of these productions. The Imaginary Invalid employs the score that Marc-Antoine Charpentier composed for Moliere's own premiere. It is conducted by Steven Ovitsky, artistic director of the Milwaukee Symphony.
The Tempest, composed by Shakespeare as a multi-sensory theater experience, features music on Elizabethan instruments still extant from Shakespeare's own production, resulting in lyrical textual passages, overflowing with exotic images, tantalizing sounds, and a palpable lushness.
(P)2002 Blackstone Audiobooks
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Critic Reviews

"Director Yuri Rasovsky and his cast convey with sensitivity the many dimensions of these people... A beautifully paced performance." (AudioFile)
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Customer Reviews

Most Helpful
1 out of 5 stars
By S. N. C. Siegel on 05-06-06

Badly Done Plays

Please save your money and pass on this collection of plays. None are done very well and the production of Medea is particularly bad. When the director chooses to set the Chorus to music, he/she must emphasize diction and musical quality. Sadly, the director failed on both counts. The chanting is incomprehensible and the music is cheesy. It's hard to wreck Medea but the director succeeded admirably.

As to the rest: The Ibsen is weak and the Shaw is boring. The productions were produced in 1985. Perhaps 20 years of a renewed interest in audio literature require more sophisticated productions or, perhaps, these productions, produced under the auspices of the Hollywood Theater of the Ear, are simply the product of a consistently bad director.

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49 of 55 people found this review helpful

4 out of 5 stars
By Dacia on 05-15-12

Well Done Plays

I thought these plays were well done and entertaining. The production quality seemed fine to me. I especially enjoyed Medea, the Tempest, and Camille. The other ones were hard for me to get into, but that's just personal taste. If you want to be entertained and enjoy several classic plays, then this is a good deal for the price.

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4 of 4 people found this review helpful

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Customer Reviews

Most Helpful
5 out of 5 stars
By Highlight on 01-18-13


This is an excellent collection of classic plays written by some of the best 19th Century playwrights with full professional casts. Well performed and produced. These are so entertaining they bring the feel of the era and the Country they were based, taking you into another world now gone in history and yet the meanings and the morals of these beautiful novels are still as relevant today as they were when they were first written.

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1 of 2 people found this review helpful

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