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Publisher's Summary

John Updike's twentieth novel, like his first, The Poorhouse Fair (1959), takes place in one day, a day that contains much conversation and some rain. The 78-year-old painter Hope Chafetz, who in the course of her eventful life has been Hope Ouderkirk, Hope McCoy, and Hope Holloway, answers questions put to her by a New York interviewer named Kathryn, and recapitulates, throughout the story of her own career, the triumphant, poignant saga of postwar American art. In the evolving relation between the two women, the interviewer and interviewee move in and out of the roles of daughter and mother, therapist and patient, predator and prey, supplicant and idol. The scene is central Vermont; the time is the early spring of 2001.
©2002 by John Updike; (P)2002 Random House Inc., Random House Audio, a Division of Random House Inc.
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Critic Reviews

"The novel achieves a remarkable depth of characterization and a glowing beauty in its articulation of the artistic sensibility." (Booklist)
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Customer Reviews

Most Helpful

By Stephen on 04-24-05

Better than 90% of the pap that passes for writing

Well written beautifully narrated. A very good listen.

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3 of 7 people found this review helpful


By Joann Nash on 12-11-04

Seek My Face

A crashing bore! Certainly not up to Updyke?s usual.

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4 of 13 people found this review helpful

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Customer Reviews

Most Helpful

By Welsh Mafia on 06-28-08

Updike's Warhol and Pollock - masterful

Having produced so much that is so wonderful, now in his late 70's you begin to wonder whether John Updike still has it in him. His regular short story contributions to The New Yorker are a pleasing palliative, but it is a major work like Seek My Face that completely blows away any unnecessary concerns. John Updike is the best living author, this is one of his best works.
A simple story structure which effortlessly focuses on the New York school, drawing, sketching, fixing, painting and snapping away until we have unfolded a huge detailed canvas on which he has made the whole of the late part of last century for us - from the 9th Street exhibition through Willem de Kooning to the campy excesses of Andy Warhol. No tricks, but beautiful heart-warming prose and an ocean of emotions and experience.
Brilliant, brilliant, brilliant.

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1 of 1 people found this review helpful


By Android on 01-14-16

Worth the stretch

The regular mentions of time passing brought me out of the flow of the story, but the ending left me reflecting on how life passes, which was worth the stretch.

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