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Ruin the Sacred Truths
- Poetry and Belief from the Bible to the Present
- Narrated by: Mort Crim
- Length: 7 hrs and 11 mins
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In this valedictory volume, Yale professor Harold Bloom — who for more than half a century was regarded as America's most daringly original and controversial literary critic — gives us his only book devoted entirely to the art of the novel. With his hallmark percipience, remarkable scholarship, and extraordinary devotion to sublimity, Bloom offers meditations on 48 essential works spanning the Western canon.
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A Moor's Not Nice Guy - friend
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Falstaff brooks no rebuttal.
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Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.
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The last book written by the most famous literary critic of his generation, on the sustaining power of poetry.
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F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....
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Simple, Beautiful, and Exquisitely Textured
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Little is known about the Ancient Greek oral poet Homer, the supposed 8th century BC author of the world-read Iliad and his later masterpiece, The Odyssey. These classic epics provided the basis for Greek education and culture throughout the classical age and formed the backbone of humane education through the birth of the Roman Empire and the spread of Christianity.
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Worth the price, worth the time
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The narrator!!
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“A faithful translation is rare; a translation which preserves intact the original text is very rare; a perfect translation of Montaigne appears impossible. Yet Donald Frame has realized this feat. One does not seem to be reading a translation, so smooth and easy is the style; at each moment, one seems to be listening to Montaigne himself - the freshness of his ideas, the unexpected choice of words. Frame has kept everything.” (Andre Maurois, The New York Times Book Review)
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Sixteenth-century Spanish gentleman Don Quixote, fed by his own delusional fantasies, takes to the road in search of chivalrous adventures. But his quest leads to more trouble than triumph. At once humorous, romantic, and sad, Don Quixote is a literary landmark. This fresh edition, by award-winning translator Edith Grossman, brings the tale to life as never before.
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My Fourth Try at an Audible Quixote
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The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.
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Good but the chapters aren't IN ORDER
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The Corrections is a grandly entertaining novel for the new century--a comic, tragic masterpiece about a family breaking down in an age of easy fixes. After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.
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"Grandly Entertaining"? Really?
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An Oprah's Book Club Selection regarded as one of Faulkner's greatest and most accessible novels, Light in August is a timeless and riveting story of determination, tragedy, and hope. In Faulkner's iconic Yoknapatawpha County, race, sex, and religion collide around three memorable characters searching desperately for human connection and their own identities.
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so large, so powerful, so conflicted
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Publisher's summary
Harold Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or "J") writer, Jeremiah, Job, Jonah, the Illiad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best. This book is published by Harvard University Press.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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Find Her
- By: Sarah A. Denzil
- Narrated by: Catrin Walker-Booth
- Length: 8 hrs and 13 mins
- Unabridged
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It’s Christmas Day at Wilder House, and three magical winter weddings are set to begin. But as the tables are arranged, and the food is prepared, a perfect storm hits, cutting every guest from the rest of the world. Most little girls dream of the perfect wedding. But this bride stumbles alone into the snow, her silk train dragging through dirt, her hands bloody from the murder she just committed. Now there is at least one killer roaming the unforgiving landscape surrounding Wilder House. Who else will die on Christmas Day?
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a little bit of wicked fun
- By A. Bohn on 01-25-24
By: Sarah A. Denzil
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The Bedroom Window
- By: K. L. Slater
- Narrated by: Clare Corbett
- Length: 8 hrs and 48 mins
- Unabridged
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My darling little boy Albie adores playing at our new neighbours’ house. And after the terrible year we’ve had, I feel so lucky that we can start over in this perfect place, with new friends who treat Albie like the son they never had. He can’t stop talking about the tree house they’re building him, and the cookies they bake together. But as time passes, something starts to feel wrong. Why don’t they ever open the front door more than a crack? They told me they had no children so who does the small pink tricycle I saw in their hall belong to?
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Miss Lucy-price Lewis
- By Angie on 06-07-23
By: K. L. Slater
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Falstaff brooks no rebuttal.
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Why Shakespeare? What explains our continued fascination with his poems and plays? In Living with Shakespeare, Susannah Carson invites 40 actors, directors, scholars, and writers to reflect on why his work is still such a vital part of our culture.
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What listeners say about Ruin the Sacred Truths
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- Benjamin Myers
- 03-31-17
Not one of Bloom's best
At his best, Bloom is an insightful and entertaining critic. At his worst he is lazy, undisciplined, and derivative. This book unfortunately belongs to the second category. There are occasional flashes of insight but mostly it is a pastiche of cliches, scholarly gossip, and sweeping generalizations. Especially regrettable is the tendency to substitute name-dropping and interpretation-by-association for actual comment on the books in question. A pity to see Bloom's formidable powers squandered on a book like this.
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- J.T.
- 05-12-22
Poor Mort
Mort Crim was a terrific reader of the text he had handed to him when he read the news in Philadelphia. Here, not so much, but it's hard to blame him. Someone should have coached him on the pronunciation of dozens of words--some esoteric and only a very few he probably never heard--that he butchers along the way. "Platonic" is pronounced with a short a (not as in Playdoh); demiurge I thought had three syllables; etc. This is one of Bloom's pivotal books, after he had more or less outlined the canonical works to go with his theory of influence; not that hard to follow if you knew what preceded it with the exception of the chapter on Kafka.
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