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Editorial Reviews

Walter Covell’s low, velvet voice speaks the introduction to this novel, which predicts that the listener "will sink back among the cushions of your armchair...and lay the blame of your insensitivity upon the writer". The writer is Honorè de Balzac, early French master and chronicler of French life after the fall of Napoleon Bonaparte.
Covell’s excellent French pronunciations add an air of legitimacy and paint an aural picture of Balzac’s detailed portrait of a time and a people. The listener will revel in the intertwined power dynamics of Père Goriot, an aged father; a mysterious criminal named Vaurtin; a ruthless social climber named Rastignac; and most of all in the precise and exacting descriptions for which Balzac is still so highly esteemed. Ready your armchair.
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Publisher's Summary

One of the greatest of French novelists, Balzac, trained as a lawyer, was a great judge of human nature. In 1833 he conceived the idea of linking together his novels so that they would comprehend the whole society in a series of books. This plan eventually led to 90 novels and novellas (including more than 2,000 characters) that he called "The Human Comedy". Balzac's huge and ambitious plan drew a picture of the customs, atmosphere, and habits of bourgeois France. Among the novels of The Human Comedy is Le Pere Goriot, considered by many to be his highest achievement. Balzac's many masteries all find their fullest expression here. The novel was written when Balzac's genius was at its height and when the his physical powers were not as yet impaired by his enormous labor and reckless disregard for his health. The history of Goriot and his daughters, the fortunes of Eugene, and the mysterious work of Vautrin, not only receive due and unperplexed development, but work upon each other with correspondence and interdependence that forms the rarest gift of the novelist. Nowhere else is Balzac's charm presented in a more pervading and satisfactory manner than in this novel.
This text was translated by Ellen Marriage.
©1994 Jimcin Recordings
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Customer Reviews

Most Helpful

By Ted on 08-09-04

Wonderful social novel

A wonderful novel, read in a plummy accent appropriate to the era.

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26 of 30 people found this review helpful

By Amazon Customer on 01-21-16

Reader like a fairly literate grandpa

This is an old books on tape reading with a very rough and ready fellow reading without rehearsal and often at cross purposes to a character's sentiments. One actually hears him slowing down when encountering difficult passages. In the final scene, when the eponymous character is raving in agony and psychological turmoil, the reader performs as though Goriot were a shopkeeper who had been asked his opinion about the most recent recession. The story is good, but the translation is so wooden that the characters read like emotionally challenged robots.

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3 of 3 people found this review helpful

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Customer Reviews

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By Steve on 11-21-05

King Lear meets the French Novel

Tremendous tale of woe as Goriot's daughters display utter lack of feeling as they exploit their father's love.
A picture of the preoccupations of 19th century France and the development of Rastignac from innocent youth from the country to would-be city sophiticate. How does his integrity survive the temptations of worldly success?
Walter Covell's reading is, sadly, desultory at times which spoils the atmosphere which Balzac creates so masterfully.

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8 of 8 people found this review helpful

By George on 09-08-13

Weak reading spoils a complex story

Pere Goriot offers fascinating insights into social turmoil in early 19th Century France. Balzac's "realist" style contributes to great descriptions of life at various levels of French society and the venality of its citizens. It's a pretty bleak indictment of institutions such as marriage and none of the characters have any redeeming features. It's supposed to be based on King Lear but there's no Cordelia! The reading is quite weak and the dialogue comes across as wooden.

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4 of 4 people found this review helpful

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