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By William M Storm on 04-23-12
If not for the Ending
America of the 1920s did not allow for much social mobility between races, and so the choices left to African-Americans were filled with compromises. One such compromise is having to pass as a white person, which causes a definite and permanent rift with former associates. Any contact with those former associates would be a clear sign that there is something not above board.
With all of that being said, what this novel does is set a fairly interesting story of race relations against the more everyday concerns of a wife. The problem with that, however, is that it takes a character who seems like a rational actor and turns her into a jealous woman who commits murder to protect her marriage. The problem is that this jealousy is based purely on suspicion, which undermines her further as a rational actor. Of course, the fact that the story just ends leaves too many questions and motives unanswered and unexamined. But if you are interested in questions of race and how people are motivated to move past set ideas of their race and character, then you would do well to examine this story.
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