Notes from the Underground

  • by Fyodor Dostoevsky
  • Narrated by Walter Zimmerman
  • 5 hrs and 11 mins
  • Unabridged Audiobook

Publisher's Summary

By the time Dostoevsky was 40, he had spent four years in prison and a further four years in the army as punishment for his part in a political conspiracy. His health was broken. He was gaunt, fervid, anxiety-ridden, and close to bankruptcy. It was in this state he wrote Notes from the Underground, a masterpiece of the psychology of theoutsider.The book, published in 1864, marks a turning point in Dostoevsky's writing: it announces the moral, political, and social ideas that he will further examine in Crime and Punishment and The Brothers Karamazov. The book opens with a tormented soul crying out, "I am a sick man...I am a spiteful man." This is the cry of an alienated individual who has become one of the greatest anti-heroes in all literature.

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Audible Editor Reviews

Walter Zimmerman strikes an intellectual, angst-ridden note in his performance of Fyodor Dostoevsky’s Notes from the Underground, a foundation text among existential writers like Albert Camus and Jean-Paul Sartre.
The first part of this novella sees the jaded narrator musing philosophically on whether human action is motivated by reason as well as the concept of suffering. In the second part, we get a more dramatic portrait of the "Underground Man". Here we see him obsess over a cruel officer and cruelly spew his anguish upon a young prostitute.
The narrator in Dostoevsky’s novella is meant to be fascinating but not fully sympathetic. Zimmerman deftly conveys both his intelligence and his arrogance.

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Customer Reviews

Most Helpful

Brilliant

Notes from Underground is one of the seminal works of modern literature--devastating for what Bakhtin called Dostoevskii's "negative dialectics", the author's amazing ability to run equally valid propositions against each other, leaving the reader gasping. In Notes from Underground, we find the foundation of Dostoevskii's better-known works: Crime and Punishment, The Idiot, The Brothers Karamazov. We also find the foundations of existentialist literature--wherein the main character deliberately defies reason and self-interest for the greater good of freedom, of unharnessed human volition. Here too, Dostoevskii deliberately challenged the extraordinary defense of human freedom in Part I against the devastating portrait of a misanthrope enslaved by his own past in Part II.
This book is not for the faint of heart, 120 pages of pure intellectual poison.
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- jb

Everyone is a critic

I suspect that to fully understand this book the reader must have some tendencies toward mental illness. The rants are more a way of dealing with reality when the real desire is to be acknowledged. I found quite a bit of humor in this volume. The 'underground man' is most often the crazy curmudgeon neighbor we all have.
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- Tina

Book Details

  • Release Date: 05-20-2005
  • Publisher: Jimcin Recordings