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Publisher's Summary

At the tender age of 10, Fanny Price is 'adopted' by her rich relations and is removed from the poverty of her home in Portsmouth to the opulence of Mansfield Park. The transplantation is not a happy one. Dependent, helpless, neglected and forgotten, Fanny struggles to come to terms with her new life until, tested almost to the limits of endurance, she assumes her rightful role....
Public Domain (P)1995 Naxos Audiobooks
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Customer Reviews

Most Helpful
5 out of 5 stars
By Neil Chisholm on 02-05-12

Oh such felicity, such gaiety, such rapture!

I had read this book before but many years ago and like so many others knew Jane Austen from Pride and Prejudice and more from the tv series than reading the book. However, Jane is at her most observational in this book - characters are so real that they are recognisable from people we know today and she is also at her most cynical - the wit is brilliant. Its a fantastic book and Juliet Stevenson is masterly in her narration. If I could have given it six stars I would have done!

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22 of 23 people found this review helpful

4 out of 5 stars
By Ilana on 10-22-11

Comments from a Jane Austen Novice

From the many reviews I've read, I know this novel isn't that popular among Jane Austen fans, most finding the heroine Fanny Price to be too much of a wallflower for a lead character. To me it seemed like she was on the contrary a young woman of conviction with a strong moral fiber, who seemed to have more depth than the leading young women in the other two novels I've read by Jane Austen (S&S and P&P), which I found too frothy for my liking. The secondary characters were very entertaining; indeed, their presence was essential in moving the story forward and providing plenty of spice and drama. Excellent performance by Juliet Stevenson, who is one of my favourite narrators.

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23 of 25 people found this review helpful

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Customer Reviews

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5 out of 5 stars
By Colin Davey on 11-20-16

A reluctant Janeite not reluctant any more.

I was what you might call a reluctant Janeite. I suspect there are a lot of us out there, especially among us men. From being force-fed ‘Emma’ in sixth-form I was in denial - I recognised the writer’s quality without properly seeing that her stories are more than just tales of closed societies of young idle people wasting their time before being married off. I’ve begun to see to what extent I was wrong, and Mansfield Park has helped greatly with that process.
Even some quite ardent lovers of Jane Austen have trouble with Mansfield Park, or, more particularly, they have trouble with Fanny Price. She’s not “feisty”; she lacks heroic quality; she’s weak. Broadly, she commits the sin of not being Elizabeth Bennett. These criticisms are true as far as they go, but here’s the thing: the book tells us exactly why and how she’s all this, how she copes with and ultimately overcomes her troubled upbringing and ends the book as a fully-rounded & admirable person.
Here’s a girl, less than healthy, certainly neglected and conceivably abused at home, taken as an act of charity from her parents and placed in a high-class environment already packed with well-to-do, self-assured older children and adults who, with one exception, treat her with anything raging from condescension to disdain to simple ignoring, so that she almost always feels she is only at Mansfield Park on sufferance. Should she ever show “ingratitude” or independence of spirit, there is Mrs Norris to tell her how lucky she is to be among such superior society at all. If at any time she receives what seems to be preferential treatment there is always someone to remind her of her lowly status. The only adult who appreciates her is too idle and self-absorbed to be any help, and the only one of the children who supports her becomes neglectful when he falls in love. Is it any wonder that Fanny is less than self-confident?
The story of the book for me is how she acquires her inner strength: as others fail and show their feet of clay she consistently increases in power without ever losing that essential eighteenth and nineteenth century attribute, modesty. And this rise comes organically and feels true, and through this I cannot be one of the anti-Fanny crowd.
For me any weakness in the book comes late. The inevitable marriage feels contrived and even possibly objectionable: maybe another outcome would have been too difficult to pull off without upsetting conservative readers, but this somewhat bolted-on happy ending, while it doesn’t spoil a marvellous book, feels unwanted.

This is a copy of my Goodreads review. I only need to add here that it is read superbly. Oh and that Edmund is what PG Wodehouse would call "a pill"!

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5 of 5 people found this review helpful

5 out of 5 stars
By Stacey on 09-20-11

Julliet Stevenson Narrating at her best

Brilliant a joy to listen too, the characters are portraied so well, I could listen to it over and over again

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5 of 5 people found this review helpful

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Customer Reviews

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2 out of 5 stars
By John on 07-07-17

Beyond the "walled garden"

Charlotte Bronte accused Jane Austen's novels as akin to taking place within a walled garden. Mansfield Park is one of the few times Austen steps briefly beyond the garden gate, and she doesn't like what she sees.
With the exception of Emma's meddling in the love life of Harriet Smith, in "Emma", Austin has little to say about the under-classes. They usually appear as undifferentiated "servants" with nothing to say for themselves. However In "Mansfield Park", Fanny is born to a working class father and a landed mother fallen on hard times but she is adopted and essentially raised in society comfort by her wealthy aunt and her family.
In an excruciatingly blatant piece of class prejudice Austen determines and discriminates her way through Fanny's brief return to her origins - an overcrowded Portsmouth hovel which, strangely, is equipped with servants. Fanny's relief is boundless on her return "home" to Mansfield Park.
It is a type of prejudice altogether absent in the work of the Bronte sisters, although they and Austen were not exactly contemporaneous.
As for the rest of the book, it is the usual trajectory of thwarted romance that comes good in the end.
Juliet Stephenson's narration is flawless, as usual, and the production quality is of the high standard typical of "Naxos" audiobooks.

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5 out of 5 stars
By jacqui on 06-30-17

One of my favourites.

I read and listen to this book every few years and l still love it as much as the first read. Love the era it's written on and the writing is magical. I can listen to Juliet all day.

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