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Nabokov blows me away. What appears to be a fairly straight-forward, Euclidian love triangle gets all doppelgängered-up at the end. While Nabokov said "of all [his] novels this brute is the gayest", I found it far more brute than gay. Only Nabokov could make the heavy themes of the pre-Nazi German psyche appear 'gay'. Not only is Nabokov able to get this cement kite airborne, but he is also able to make it seem light and nimble as it dances in the sunlight. You almost forget that he is writing about the dehumanization of the individual, the moral seduction and corruption of a nephew, and avunculicide. Don't sweat the bumbling Nazi in the making... that might just be Old Enricht's strange invention laughing next door.
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I can't imagine a better voice. The characters are thoroughly developed in this way; the sardonic sarcasm maintained. Nabokov's wit is frustratingly humorous.