Invisible Man

  • by Ralph Ellison
  • Narrated by Joe Morton
  • 18 hrs and 36 mins
  • Unabridged Audiobook

Publisher's Summary

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of 20th-century African-American life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching - yet always with elements of comedy and irony and burlesque that appear in unexpected places.
After a brief prologue, the story begins with a terrifying experience from the hero's high-school days; it then moves quickly to the campus of a "Southern Negro college" and then to New York's Harlem, where most of the action takes place.
The many people that the hero meets in the course of his wanderings are remarkably various, complex and significant. With them he becomes involved in an amazing series of adventures, in which he is sometimes befriended but more often deceived and betrayed - as much by himself and his own illusions as by the duplicity and the blindness of others.
Invisible Man is not only a great triumph of storytelling and characterization; it is a profound and uncompromising interpretation of the anomalous position of blacks in American society.


Audible Editor Reviews

An idealistic young man strives to make his way among the like-minded of his own black community and the larger white world beyond only to experience cascading disillusionment in both. He is The Invisible Man, the protagonist of Ralph Ellison’s masterpiece, electrifying today, and devastatingly so when published in 1953. A richly poetic and cinematic work carrying a searing social critique, the novel features a first-person narrative that seems written to be heard as much as read. And the actor reading to us here seems to have been born for the role; as the movie trailers say, Joe Morton is The Invisible Man.
From his nameless and hidden existence in a Manhattan basement, our narrator leads us through the events leading to his identity — or lack of one. A high school valedictorian down South, he receives a scholarship from a white group — after being brought onstage for a humiliating, bigoted burlesque. Honored at his black college to chauffeur a visiting white benefactor, he accedes to the request to take a fateful detour through the town’s black slums. As a result, the college’s president, a venerated yet utterly Machiavellian figure, scapegoats him. Expelled and directed north for redemption and employment, he again becomes the fall guy, literally and figuratively, when he is injured and laid off from his job in a union-embattled New York City factory.
Nursed back to health by the kind, maternal Mary up in Harlem, he seems to find his calling at the unlikely event of an elderly couple’s eviction. Spontaneously addressing the roiling crowd to temper their rage lest it incite the armed white evictors, the injustices he shares with them by race, as well as those befalling him for less obvious reasons, impassion him to eloquently encourage their defiance. His oratory draws him to the attention of Jack, head of ‘the brotherhood’ (Ellison’s stand-in for the Communist movement), who offers him work — and successfully indoctrinates him with utopian propaganda and sets him up to lead the party’s Harlem chapter. Seduced by his prestige among the party’s white sophisticates and a long-craved sense of purposefulness he embraces his work, even standing down Ras, an afro-centric nihilist violently competing for followers. Intrigue upon intrigue later, a more sinister threat reveals itself in his dogmatically ruthless brother-mentor plotting to further his cause even at the expense of others’ lives. Racism, our narrator shatteringly learns, is but one form of man’s inhumanity to man. And so, he has hibernated, invisibly, until now, until a stirring in his soul and imagination suggests the possibilities of his own spring.
Propelled largely through its characters’ richly defined verbal personae, the novel is perfectly realized by Joe Morton’s masterful, dramatically distinct vocal embodiments; the protagonist himself is, not surprising, his tour de force. In the end, we experience the sensibility of actor and author as one and the same: a perfect match-up indeed. —Elly Schull Meeks


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Customer Reviews

Most Helpful

You've been waiting, buy it, you won't be sorry...

Ralph Ellison's masterpiece comes to life in the hands and voices of Joe Morton. The author's prose is alive, urgent, commanding of your attention.

This is a reading which perfectly matches narrator to subject matter. Mr. Morton is to be commended for his dazzling ability to traverse generation, race, nationality, gender and regional dialects with ease, often in the same sentence. Many passages which deal with multiple voices, the narrator along with other speakers, are confronted with natural ease and pacing. I found, on several occasions, I had to pleasantly remind myself there was only one person responsible for the many clearly identifiable characters.

Invisible Man's absence from the Audible catalog has finally been rectified, and thankfully it has been given the reading and treatment it deserves.
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- Robert

How Did This Escape Me?

I've never been one to deplore my lack of quality education in public school. I figured that whatever I missed was likely due to inattentiveness and lack of inquisitiveness on my part; but after reading INVISIBLE MAN, I finally come away insensed! Angry and insensed that this book was not assigned to me as part of my upbringing. Even if I can forgive my public schools, then I must blame my private / public university and well-heeled graduate educations for not at least trying to make me aware that this great literature exploring MY American background exists. While I was raised in the most caucasion of caucasion communities, I feel I should still have been made aware--by somebody!--that I needed to read INVISIBLE MAN!

Well . .. now that I've raved a bit, I must admit that even in grad school I wasn't always the most attentive of students. I was deeply involved in whatever topics were discussed at hand, and I wrote stellar essays, I suppose . . . but I might have been daydreaming the day(s) that Ellison's profound influence on modern literature and social and racial issues was discussed . . . perhaps. What a masterpiece. I will read and study it again, and do all I can to influence persons whose education I hope for to read it and read it well.

By the way, if a reader orders this after reading my rant here, please make sure you listen to the introduction. It helps. The book is exquisitely performed and masterfully written. Not only does it provide an essential piece in one's education, but it's also a great, entertaining, riveting, and even humorous in many ways, read.
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- E. Pearson "Occasional Thinker"

Book Details

  • Release Date: 12-21-2010
  • Publisher: Random House Audio